Live Lit: Lindsay Hunter

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Fiction writer and live lit performer Lindsay Hunter—author of the novel Ugly Girls (FSG, 2014), and the story collections Don't Kiss Me (FSG, 2013) and Daddy's (Featherproof Books, 2010)—reads a new story called "Hit or Miss" as part of the Page on Stage segment of Poets & Writers Live in Chicago on June 20, 2015.

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Mathias Svalina

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“We were in love with the world / and then we weren’t...” Mathias Svalina reads an excerpt of his poem “From Thank You Terror” at the Silo City Reading Series with music by the band Cages and visual art by Mary Helena Clark. Svalina is the author of The Wine-Dark Sea (Sidebrow Books, 2016) and travels to cities in America by bicycle delivering personalized poems to subscribers of his Dream Delivery Service.

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Ana Blandiana

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Ana Blandiana reads the poems “Prayer,” “Above the River,” “A Transparent Being,” and “Country of Unease” from her collection My Native Land A4 (Bloodaxe Books, 2014) in Romanian with Viorica Patea, who translated the collection with Paul Scott Derrick, reading the English translation. Blandiana is the recipient of the Griffin Trust for Excellence in Poetry’s twelfth Lifetime Recognition Award.

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Myriam Gurba

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“If you were walking down the street and you came across yourself, what would you do? Stop and talk with yourself, or make out with yourself?” Myriam Gurba, author of the debut memoir, Mean (Coffee House Press, 2017), reads several short prose pieces for the Radar Reading Series at the San Francisco Public Library.

An Amorous Discourse in the Suburbs of Hell

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“I decided that she was a cross between Tina Turner and maybe Walter Benjamin or Baudelaire, perhaps a little bit of Angela Carter’s wonderful aerialist in Nights at the Circus...” Deborah Levy, whose novel Hot Milk (Bloomsbury, 2016) is shortlisted for the 2016 Man Booker Prize, reads from and talks about her inspiration and the characters in her dramatic verse book, An Amorous Discourse in the Suburbs of Hell (And Other Stories, 2014).

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Megan Hunter and Max Porter

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“To me, the world of novels often doesn’t feel real, and I was certainly quite aware of writing something kind of between poetry and prose.” Megan Hunter reads from her debut novel, The End We Start From (Grove Press, 2017), which is featured in Page One in the November/December issue of Poets & Writers Magazine, and talks with Granta editorial director Max Porter about writing speculative fiction.

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