Archive November 2017

November 30 Deadline for Short Story Prize

Submissions are currently open for the J. F. Powers Prize for Short Fiction, an award of $500 and publication in Dappled Things given annually for a short story that deals with faith and the afterlife. The Dappled Things editors will judge.

The editors are looking for “carefully crafted short stories with vivid characters who encounter grace in everyday settings—we want to see who, in the age we live in, might have one foot in this world and one in the next.” Using the online submission system, submit an unpublished story of up to 8,000 words by November 30. There is no entry fee. The winner will be announced in March 2018.

Dappled Things is a literary journal dedicated to providing a platform for emerging writers to “engage the literary world from a Catholic perspective.” Its editors seek writing that “takes advantage of the religious, theological, philosophical, artistic, cultural, and literary heritage of the Catholic Church in order to inform and enrich contemporary literary culture.” Visit the website for complete guidelines and to read previous winners’ stories.

Upcoming Short Prose Deadlines

Prose writers, are you sitting on a short story, essay, or piece of flash fiction? With Thanksgiving nearly upon us, take some time before you fill up on turkey to fill out applications to the following contests with upcoming deadlines—each offering prizes from $1,000 to $20,000 and publication. Now that’s something to be thankful for!

Deadline: Tuesday, November 21

Literary Death Match 250-Word Bookmark Contest: A prize of $1,000 and publication will be given annually for a short short story of up to 250 words. The winning story will be published on Literary Death Match bookmarks and distributed to events around the world. The winner and finalists will also be invited to read at Literary Death Match events. Roxane Gay will judge. Entry fee: $15

Deadline: Thursday, November 23

Brooklyn Film & Arts Festival Brooklyn Nonfiction Prize: A prize of $500 and publication on the Brooklyn Film & Arts Festival website is given annually for a work of nonfiction that is set in Brooklyn, New York, and renders the borough's “rich soul and intangible qualities through the writer's actual experiences of Brooklyn.” There is no entry fee.

César Egido Serrano Foundation International Flash Fiction Competition: A prize of $20,000 and an all-expenses-paid trip to attend an award ceremony in Madrid will be given annually for a work of flash fiction written in English, Spanish, Hebrew, or Arabic. Three runner-up prizes of $1,000 each and an all-expenses-paid trip to attend the award ceremony will be given to stories in each of the remaining languages. The winning works will be published in a prize anthology. There is no entry fee.

Deadline: Thursday, November 30

Fish Publishing Fish Short Story Prize: A prize of €3,000 (approximately $3,400) and publication in the annual Fish Publishing anthology is given annually for a short story. The winner will also receive a five-day short story workshop at the West Cork Literary Festival in July 2018. Entry fee: $26

Lascaux Review Prize in Short Fiction: A prize of $1,000 and publication in Lascaux Review is given annually for a short story. The winner and finalists will also be published in the 2018 Lascaux Prize Anthology. Entry fee: $10

Quarter After Eight Robert J. DeMott Short Prose Contest: A prize of $1,008.15 and publication in Quarter After Eight is given annually for a prose poem, a short short story, or a micro-essay. Stuart Dybek will judge. Entry fee: $15

Tennessee Williams/New Orleans Literary Festival Fiction Contest: A prize of $1,500 and publication in Louisiana Literature is given annually for a short story by a writer who has not published a full-length book of fiction. The winner also receives domestic airfare of up to $500, private lodging, and a VIP pass to the Tennessee Williams/New Orleans Literary Festival in March 2018 to give a reading. Jennifer Haigh will judge. Entry fee: $25

Visit the contest websites for complete guidelines, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction. Happy Thanksgiving, and happy writing!

Frontier Poetry Award: One Poem, $5,000

Submissions are currently open for the inaugural Frontier Poetry Award, a new prize of $5,000 and publication in Frontier Poetry given annually for a single poem. Ten finalists will each receive $100 and publication. The editors will judge.

Using the online submission system, submit up to four poems of any length with a $20 entry fee by Thursday, November 30. Multiple submissions are allowed. The winners will be announced in February 2018.

Established as an arm of the Masters Review, Frontier Poetry is now its own online publication that aims to provide a quality platform for emerging poets. Tyehimba Jess, winner of the 2017 Pulitzer Prize in poetry, recently judged Frontier's inaugural Award for New Poets. Visit the website for more information, including recent publications and what the editors look for in submissions.

Visit our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and creative nonfiction.

Jesmyn Ward, Frank Bidart Win National Book Awards

The winners of the 2017 National Book Awards were announced this evening in New York City. Jesmyn Ward took home the award in fiction for her novel Sing, Unburied, Sing (Scribner), and Frank Bidart won the award in poetry for Half-light: Collected Poems 1965–2016 (Farrar, Straus and Giroux). Masha Gessen won in nonfiction for The Future Is History: How Totalitarianism Reclaimed Russia (Riverhead Books), and Robin Benway won in young people’s literature for her novel Far From the Tree (HarperCollins). Each of the winners will receive $10,000.

Actress Cynthia Nixon emceed the ceremony and opened the evening by emphasizing the importance of books. “Books are among the most powerful weapons we have against what has lately felt like a hostile world,” she said. “For some of us books provide a welcome escape or a valuable resource for arming us with indispensable knowledge of history. But it also offers something we so desperately need: broadened perspective…. They cultivate empathy, they inspire action, they make us feel less alone, and they expose us to an experience we couldn’t imagine on our own.”

The winners of the 2017 awards echoed this sentiment. “Writing the poems was how I survived,” said Bidart upon winning the poetry prize. “I hope that the journeys these poems go on will help others survive as well.” In her acceptance speech, Ward addressed the crowd and said, “You looked at me and the people I love and the people I write about…. and you saw your grief, your love, your losses, your regret, your joy, your hope. I am deeply grateful, and I hope to continue this conversation with all of you for all of our days.”

Earlier in the evening, Bill Clinton presented the Literarian Award for Outstanding Service to the American Literary Community to Richard Robinson, the chairman, president, and CEO of Scholastic. “All over this country there are people who are forming new neural networks at the speed of light, stimulated by books that wouldn’t be here if not for [Robinson’s] day job at Scholastic and his commitment to this kind of philanthropic work,” said Clinton.

The foundation also honored Annie Proulx with the 2017 Medal for Distinguished Contribution  to American Letters. Actress Anne Hathaway, who starred in the 2005 film adaptation of Proulx’s story “Brokeback Mountain,” presented the award to the writer, who is the author of several story collections and novels, most recently Barkskins (Scribner, 2016). The annual $10,000 award is given for lifetime achievement, which Proulx wryly noted in her acceptance speech. “Although this is award is given for lifetime achievement,” she said, “I didn’t start writing until I was fifty-eight.”

Established in 1950, the National Book Awards are among the literary world’s most prestigious prizes. The 2016 winners included poet Daniel Borzutzky, fiction writer Colson Whitehead, and nonfiction writer Ibram X. Kendi.

 

PEN/Dau Short Story Prize Deadline Approaches

Submissions are currently open for the PEN/Robert J. Dau Short Story Prize for Emerging Writers. Twelve prizes of $2,000 each and publication in PEN America Best Debut Short Stories 2018 (Catapult) are given annually for debut short stories published in the current year.

Using the online submissions manager, editors may submit up to four debut stories published in 2017 of up to 12,000 words each by Friday, November 10. There is no entry fee. Authors may not submit their own stories. Eligible publications include print magazines distributed in the United States, online magazines, and cultural websites.

The PEN/Robert J. Dau Short Story Prize for Emerging Writers aims to help launch the careers of emerging fiction writers. Visit the website for complete guidelines, or e-mail awards@pen.org.

Visit our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and creative nonfiction.

Perugia Press Prize for Women Poets

Submissions are currently open for the 2018 Perugia Press Prize, an award of $1,000 and publication by Perugia Press given annually for a first or second poetry collection by a woman.

Women poets, including transgender women and female-identified individuals, who have published no more than one full-length poetry collection in English are eligible. Hybrid forms, including collaborations and manuscripts incorporating visuals, will also be considered. Using the online submission manager, submit a manuscript of 45 to 85 pages along with a $27 entry fee by November 15. Submissions are also accepted via postal mail, at Perugia Press Prize, P.O. Box 60364, Florence, MA 01062.

Established in 1997, Perugia Press seeks to support and promote women’s voices in print. Visit the website to learn more about the press, and for complete contest guidelines.

Visit our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and creative nonfiction.