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The Problem of Entitlement: A Question of Respect

8.20.14

A writer and workshop instructor grapples with what he sees as an increasing resistance toward the work of established authors among writing students.

Discovering the Poetry of the Wild

9.01.13

Ecological artist and sculptor Ana Flores connects communites to the land around them through a series of installations that combine poetry, visual art, and nature observation.

The Written Image: LOADING

9.01.13

Visual artist Jonathan Allen and poet Anselm Berrigan team up to create LOADING, an exhibit in New York City that will be published in book form this fall by Brooklyn Arts Press.

The Poetry Pilgrim Presses On

7.01.13

Poet Crystal Hoffman sets out on a pilgrimage across the country to write a collection of poetry and essays based on the narratives of people she meets along the way. And she’s doing it all on foot. 

The Private Dwelling: Three Poets on Keeping (and Destroying) Journals

by Lisa Fay Coutley, Claudia Emerson, and Anna Leahy

The Literary Life

September/October 2014

<p>Writers discuss what prompted them to start or return to journal writing, and why sometimes it’s better to destroy rather than preserve such catalogues of the past.</p>

Why We Write: My Father’s Voice

by Jaina Sanga

The Literary Life

September/October 2014

<p>A daily phone call from India spurs an emerging writer to complete her first novel.</p>

The Savvy Self-Publisher: Robb Cadigan’s Phoenixville Rising

by Debra Englander

The Practical Writer

September/October 2014

<p>For the first installment of our new column on self-publishing, an indie author details the route he took to self-publishing his novel, while editor Paul Dinas and publicist Corinne Liccketto weigh in with post-publication comments and suggestions.</p>

Perversity of Spirit: What It Takes to Be a Writer

by Rufi Thorpe

The Literary Life

September/October 2014

<p>One author argues that talent is the least important part of becoming a writer.</p>

The Art of Reading Lauren Slater

by William Giraldi

The Literary Life

July/August 2014

<p>In her genre-defying book <i>Lying: A Metaphorical Memoir</i>, published in 2000 by Random House, Lauren Slater toys with the conventions of fact, fiction, memory, and art, introducing fabricated occurrences and physical conditions to unveil the truth of her experience—and of the human condition.</p>

Why We Write: The Wounded and Enduring

by Wendy Brown-Baez

The Literary Life

July/August 2014

<p>Through her work with the Minnesota Prison Writing Workshop, a poet discovers that writing can grant a type of freedom to incarcerated men—and in the process finds her own sense of peace in the wake of personal trauma.&nbsp;</p>
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