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creative process

Stories That Sing: A Profile of Michael Williams

Online Only, posted 12.16.14

It’s still early morning as I make my way by taxi across Cape Town, traveling from our ship in the harbor to the Artscape Theatre Center on the Foreshore. It’s a sharp, blue-sky day in late March.

Answer Songs: Music as Muse

12.16.14

A songwriter responds to literature—such as stories by Jonathan Lethem and George Saunders—with music, carrying the creative conversation across art forms.

 

Typewriters in the 21st Century

12.16.14

Innovations like the USB Typewriter, Hanx Writer, Hemingwrite, and Typing Writer are giving new life to the classic typewriter by updating it for the digital world.

The Problem of Entitlement: A Question of Respect

8.20.14

A writer and workshop instructor grapples with what he sees as an increasing resistance toward the work of established authors among writing students.

Discovering the Poetry of the Wild

9.01.13

Ecological artist and sculptor Ana Flores connects communites to the land around them through a series of installations that combine poetry, visual art, and nature observation.

The Written Image: LOADING

9.01.13

Visual artist Jonathan Allen and poet Anselm Berrigan team up to create LOADING, an exhibit in New York City that will be published in book form this fall by Brooklyn Arts Press.

The Poetry Pilgrim Presses On

7.01.13

Poet Crystal Hoffman sets out on a pilgrimage across the country to write a collection of poetry and essays based on the narratives of people she meets along the way. And she’s doing it all on foot. 

Launching a Best-Seller Without Selling Your Soul: The Rewards of Self-Promotion

1.21.15

Through blogging, social media, newsletters, and book giveaways, a novelist teams up with the founder of WeGrowMedia to market her book—and show how making a personal connection with readers can go a long way towards making a book a best-seller.

Feckless Pondering: Emotional Beats and the Art of Repose

by Benjamin Percy

The Literary Life

January/February 2015

<p>A case for balancing action with introspection in fiction, in order to avoid “gumming up the gears of your story.”</p> <p>&nbsp;</p>

Why We Write: Going Back to Where It Was

by Carolyn Roy-Bornstein

The Literary Life

January/February 2015

<p>After finding him paging through her diary, a mother confronts the ethical and emotional struggles of writing about her son’s traumatic brain injury.</p>
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