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A publishing-industry veteran who has worked as an agent, writer, and editor explores how her various experiences have helped her make decisions about both her own career and that of other writers.
New York Times Book Review editor Pamela Paul shares her insights on the ethical and practical challenges of being the head of the last of the stand-alone newspaper book review sections.
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
Five editors of independent presses specializing in translation discuss how they find new work from around the world, the challenges they face as publishers, and the future of literary translation.
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Eleven small-press authors and their publishing partners discuss the independent approach—and all the passion, commitment, and love that comes with it—to bringing books into the world.
Graywolf Press executive editor Jeff Shotts discusses the power of patience in publishing, editing as an act of empathy, and why it’s an exciting time to be a poet.
Susan Golomb, whose clients include Jonathan Franzen, Rachel Kushner, and William T. Vollmann, talks about the ebb and flow of submission season, the art of the preemptive offer, and the gems she finds in her slush pile.
A vice president and executive editor at Knopf, Jordan Pavlin discusses her terror of launch meetings, the particular genius of Sonny Mehta, and her job as a writer’s ideal reader.
A heavy-hitting agent who for twenty-two years has represented some of the biggest literary writers in the country, Eric Simonoff discusses recent changes in the publishing industry, the pitfalls of self-publishing, and what he's learned about staying creative.