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Catapult, a new literary venture that launched in September, is working to provide resources for writers at every stage of their career—from workshops to self-publishing platforms to traditionally published books—in an effort to create an online community that “conceptually mirrors the ecosystem in which writers and creatives exist right now.”
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
Five editors of independent presses specializing in translation discuss how they find new work from around the world, the challenges they face as publishers, and the future of literary translation.
Eleven small-press authors and their publishing partners discuss the independent approach—and all the passion, commitment, and love that comes with it—to bringing books into the world.
Graywolf Press executive editor Jeff Shotts discusses the power of patience in publishing, editing as an act of empathy, and why it’s an exciting time to be a poet.
Kate Gale, the cofounder and managing editor of the Pasadena, California–based Red Hen Press, which celebrates its twentieth anniversary next year, discusses the press's history, growth, and the keys to its success.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Salmagundi, the Threepenny Review, Georgia Review, and Image.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including David Vann's Goat Mountain and Jhumpa Lahiri's The Lowland, as the starting point for a closer look at these new and noteworthy titles.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features A Strange Object, which publishes works of fiction in both print and digital editions from its headquarters in Austin, Texas.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features MAKE: A Chicago Literary Magazine, Tin House, Bellevue Literary Review, and Harvard Review.