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Farrar, Straus & Giroux

Lessons From the Hothouse: What Writers Can Learn from the History of Farrar, Straus and Giroux

by Boris Kachka

The Practical Writer

September/October 2013

<p>A contributing editor of <em>New York</em> magazine whose new book, <i style="line-height: 1.4;">Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus and Giroux</i><span style="line-height: 1.4;">, was published in August by Simon &amp; Schuster, offers ten big takeaways for writers from the good, bad old days of the publishing giant.&nbsp;</span></p>

Agents & Editors: A Q&A With Jonathan Galassi



Some publishers may have lost sight of what’s important, but the head of FSG shows his allegiance as he discusses the fallacy of the blockbuster mentality, what writers should look for in agents, and his close bond with authors.

Such Sweet Sorrow


Speculation and rumor continue to drive the gossip surrounding Tom Wolfe’s and Richard Ford’s decisions to leave their former publishing houses, but their true reasons remain a mystery.

FSG, Graywolf Ink Distribution Deal


Graywolf Press, a 26-year-old literary nonprofit publisher based in St. Paul, has entered into a new distribution deal with New York publishing giant Farrar, Straus and Giroux.

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