With her fourth novel, The Woman Upstairs, just out from Knopf, Claire Messud tests the ties of novelist, wife, teacher, and mother that define and bind many working writers.
Last night in Toronto, the 2013 Griffin Poetry Prizes were given for the collections Like a Straw Bird It Follows Me (Yale University Press), written by Palestinian poet Ghassan Zaqtan and translated from the Arabic by Fady Joudah, and What's the Score (Mansfield Press) by Canadian poet David W. McFadden. Each winner received $65,000
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6.18.13
Shane Salerno's Salinger offers an unprecedented look inside the private world of J. D. Salinger, featuring interviews with more than a hundred subjects, including the reclusive author's friends, colleagues, and members of his inner circle, as well as film footage, photographs and other material that has never been seen. It opens in theaters on September 6.
Author Jen Michalski takes us on a tour of the many literary sites writers should visit while strolling the gritty streets of Baltimore.
Join indie author Edie Rhoads as she showcases the local literary treasures of one of America’s most picturesque cities.
Adam Ross, author of the New York Times Notable Book Mr. Peanut, takes us on a tour of his beloved Nashville, "a great secret, cool as all get-out but never self-consciously hip or competitive," with a literary life as vibrant as its musical one.
Author and Tin House Magazine editor Michelle Wildgen serves as our guide to the literary locales of Madison, Wisconsin, a city whose lofty earnestness in everything from food to literature inspired her two novels.
Our Writing Contests Issue features a look at the ever-expanding universe of book awards and literary prizes, including tips for successful entries as well as advice from agents and editors; a survey of the novella e-revolution and how digital tools are reviving the neglected form; a craft essay on writing with urgency; a profile of novelist Claire Messud; an interview with poet Frank Bidart; and much more.
Join contributor Aaron Hamburger at Whole Foods Market in New York City as he prepares his delicious limoncello cupcakes and talks about what the art of food writing has taught him about fiction writing.
by Aaron Hamburger
Fiction writer Aaron Hamburger got more than he bargained for when he signed up for a class in food writing. Instead of simply learning about a new genre, he also learned some valuable lessons about the one he'd been practicing for years.
by Ruth Ozeki
Character calls forth writer. Writer calls forth reader. It seems straightforward—but is it? Novelist, filmmaker, and Zen Buddhist priest Ruth Ozeki explores the relationships embedded in every novel and work of fiction.
by Carrie Neill
The biennial Gift of Freedom Award, sponsored by the Placitas, New Mexico-based A Room of Her Own Foundation, transcends competition by acting as an agent for change in the lives of women writers.
by Staff
Here are seven strategies for a more efficient (and hopefully more effective) process of submitting your work to contests.
by Kevin Nance
Reagan Arthur, the new publisher of Little, Brown, discusses her new role and the health of the company she now leads through these uncertain times in publishing.
2.01.13
The video poem may be ushering a whole new demographic to poetry. Here are six that have been made available to a wide audience on YouTube.
1.31.13
Whether you end up distributing your own prose or poetry at a reading or collecting the work of your friends in limited editions, these instructions on how to create and bind your own chapbooks offer hours of bookmaking fun.
1.01.13
Looking for a good book to read? Take a look at the list of titles our readers say were the best they read in 2011.
With her fourth novel, The Woman Upstairs, just out from Knopf, Claire Messud tests the ties of novelist, wife, teacher, and mother that define and bind many working writers.
Gift of Freedom winners and finalists are invited to attend AROHO's annual Retreat for Women Writers, held at The Ghost Ranch in Abiquiu, New Mexico.
"The Song Lives On" by John Bently is one of fifty-five artist books displayed in Beau Beausoleil's exhibit Al-Mutanabbi Street Starts Here, featured in The Written Image.
Frank Bidart says a poet must use language that embodies the immediacy and intensity the poet feels, which may explain why Metaphysical Dog is his most intimate book yet.