Connect your poems, stories, essays, and reviews to the right audiences by researching over eight hundred literary magazines in our database. Here, you’ll find editorial policies, submission guidelines, contact information—everything you need to direct your work to the publications most amenable to your vision.
| Journal | Genres Published | Accepts Electronic Submissions? | Accepts Simultaneous Submissions? | Reading Period | Format |
|---|---|---|---|---|---|
|
Atticus Review is a weekly online journal that publishes stories, poems, electric literature, and other genre-busting words of wisdom and interactive whimsy. We are focused on creating an immersive reading experience and geared to rise above the noise of the marketplace; foster communication; build a micro-community of curious minds; create an inviting space for readers and writers to mingle; change the public’s perception of reading as a static activity; turn the platform of digital publishing into an interactive trampoline; and redefine the role of literature. |
Poetry, Creative Nonfiction, Fiction |
Yes | Yes | Jan 1 - Dec 31 |
Web E-publication Audio Video |
|
No payment Cross-genre, Experimental, Flash Fiction, Humor, Literary Fiction, Micro-poetry, Narrative Nonfiction, Prose Poetry |
|||||
|
The Audio Zine The Audio Zine, at In Stereo Press, provides a space for underground writers, musicians, and visual artists. The main focus is to put a voice and a face to all the work, creating a sense of closeness for the audience with the artist. The Audio Zine is not just an online publication, but a community builder. |
Poetry, Creative Nonfiction, Fiction |
Yes | Yes | Jan 1 - Dec 31 |
Web Audio Video |
|
No payment Cross-genre, Experimental, Literary Fiction, Micro-poetry, Narrative Nonfiction, Pop Culture, Prose Poetry |
|||||
|
We publish poetry, short fiction, essays, visual art and prose poems. We look first for the finely crafted piece and believe in Pound’s dictum, “Fundamental accuracy of statement is the sole morality of writing.” We’re open to all forms, but have a bias toward clear, concise, understandable work that communicates, surprises or disturbs-writing that bears witness to the world we live in. |
Poetry, Fiction, Creative Nonfiction |
Yes | Yes | Oct 1 - Dec 31 |
Web |
|
We publish previously unpublished stories from emerging and established authors. We want fiction that surprises, animates, and moves. We want the serious; we want the playful. |
Fiction | Yes | Yes | Jan 1 - Dec 31 |
Print |
|
Contributor copies only |
|||||
|
A monthly review of fiction, non-fiction, poetry, and intellectual life, we started The Bacon Review because we care deeply about high-quality literature. We are also aware that the commercial publishing industry is facing difficult times, and consequently, it’s often the case that good writing is not published and authors not promoted. It’s our goal to make excellent work available for free. We also believe that writing should be about more than just publishing. We are interested in our authors as people; we want to know what inspires and motivates our contributors to write. |
Poetry, Fiction, Creative Nonfiction |
Yes | Yes | Jan 1 - Dec 31 |
Web |
|
Autobiography/Memoir, Cross-genre, Experimental, Flash Fiction, Historical, Humor, Journalism/Investigative Reporting, Literary Fiction, Narrative Nonfiction, Nature/Environmental, Pop Culture, Prose Poetry, Regional, Religious/Spiritual, Translation, War |
|||||
|
The Bad Version is a quarterly print magazine that seeks to foster conversation about the world we live in through the fiction, poetry, and essays of the young and curious. Its name comes from the collaborative art of screenwriting, where the first attempt at a scene, that wild idea that gets the process going, is called a “bad version.” Likewise, this magazine is dedicated to beginnings: to pieces that are taking risks, trying to broach new ideas, experimenting with new forms, starting new conversations. |
Poetry, Fiction, Creative Nonfiction |
Yes | Yes | Jan 1 - Dec 31 |
Web E-publication Print |
|
Cash Autobiography/Memoir, Cross-genre, Experimental, Historical, Journalism/Investigative Reporting, Literary Fiction, Narrative Nonfiction, Pop Culture |
|||||