Connect your poems, stories, essays, and reviews to the right audiences by researching over eight hundred literary magazines in our database. Here, you’ll find editorial policies, submission guidelines, contact information—everything you need to direct your work to the publications most amenable to your vision.
| Journal | Genres Published | Accepts Electronic Submissions? | Accepts Simultaneous Submissions? | Reading Period | Format |
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We look for writing that pushes the boundaries of language, for writers who would never be clichéd enough to use the phrasing “pushes the boundaries of language.” We believe that strong writers are mindful of the words they hire to represent them and understand that infinitudes can be built or lost within the slippery confines of the sentence. We are tired of stories and poems that don’t play for keeps. We are more inclined toward the outlandish, toward the unsayable, toward the spectacle. |
Poetry, Fiction, Creative Nonfiction |
Yes | Yes | Jan 1 - Dec 31 |
Web |
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No payment Cross-genre, Experimental, Feminist, Flash Fiction, Formal, Graphic/Illustrated, Journalism/Investigative Reporting, Literary Fiction, Narrative Nonfiction, Pop Culture, Prose Poetry |
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The Fiddlehead, Atlantic Canada’s international literary journal, is open to good writing in English from all over the world, looking always for freshness and surprise. Our editors are always happy to see new unsolicited works in fiction and poetry and are dedicated to discovering and promoting new writers. The Fiddlehead represents the Atlantic Canada’s lively cultural and literary diversity; and places the best of new and established Canadian writing in an international context. |
Poetry, Fiction |
No | Yes | Jan 1 - Dec 31 |
Print |
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Cash Literary Fiction |
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FIELD combines fresh viewpoints, editorial discrimination, and attention to the best work being produced in the U.S. and abroad, regardless of allegiance to schools or categories or reputations. |
Poetry | Yes | No | Jan 1 - Dec 31 |
Print |
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FWJ publishes established and emerging writers. We use guest editors for each issue. Consult our guidelines for length considerations of both prose and poetry. |
Poetry, Fiction, Creative Nonfiction |
Yes | Yes | Feb 15 - Jun 15 |
Print |
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Contributor copies only Literary Fiction, Narrative Nonfiction, Prose Poetry |
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Established in November 2009 by two graduated students of UC Santa Cruz, The Fine Line is here to provide a space for the individual’s need to produce creative works through writing and visual arts. Our magazine is not aimed at a particular style, or based on any traditional canon, but instead unites a variety of genres and experience levels. It is our hope that this diversity of talent will inspire and challenge all involved to push their work to new levels…or, to simply enjoy. |
Poetry, Fiction |
Yes | Yes |
E-publication |
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No payment |
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The purpose of The First Line is to jump start the imagination-to help writers break through the block that is the blank page. Each issue contains short stories that stem from a common first line; it also provides a forum for discussing favorite first lines in literature. The First Line is an exercise in creativity for writers and a chance for readers to see how many different directions we can take when we start from the same place. |
Poetry, Fiction |
Yes | No | Jan 1 - Dec 31 |
E-publication Print Audio |
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Cash |
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