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20×20 magazine is a square platform for writings, visuals and cross-bred projects. Rather than on a theme, each issue is assembled around meta-words to be interpreted, researched, illustrated according to a loose, wide and multi-angled perspective. The magazine includes 3 sections:
Words – in the shape of fiction, essays, poetry
Visions – drawings, photography and visual projects
The Blender – where words and visions cross paths
amphibi.us is looking for inventive, incendiary fiction, prose and poetry that lights everyone's eyes on fire. We want the stuff that you couldn't stop yourself from writing, the stuff that your mother told you was not poetry. We want the clean stuff, the dirty stuff, and everything in between. We update (nearly) daily, established and unknown writers alike.
Burner is that girl. She's witty, pretty, and doesn't dumb herself down. By day, she's a kindergarten teacher and by night, dances gogo. Inspired by fellow revolutionaries from John Lennon to Virginia Woolf, she's a muse and amusing, compelling and never complacent. The Burner girl gets hot and bothered by the Marquis de Lafayette, aspires to redefine the zeitgeist like Nietzsche, and provokes thought like Margaret Atwood.
Headmaster, the biannual art magazine for man-lovers, is published twice a year in an edition of 1,000. All work in Headmaster is assigned by the editors. Writers and artists interested in receiving homework assignment from the editors should submit a bio and writing samples via email. Headmaster publishes roughly five text-based pieces per year. Work published in the first two issues of Headmaster include erotica, film criticism, travel writing and memoir. The editors of Headmaster are interested in other forms of writing as well.
Midway Journal accepts submissions of aesthetically ambitious work that occupies the realms between both the traditional and experimental.
Publishing Genius is particularly interested in something else altogether. What is coherent? Why do we think we understand something while we think something else is nonsense? How can we avoid not knowing what we don't know? How can we make that process fun?
Super Arrow is a biannual online journal for experiments in writing and art. Our publication is designed for community and creative risk. The name of the journal is a partial english-to-english homophonic transliteration of "supererogatory," or, beyond what is required. We mean this, whatever that means to you.
The journal is called Telephone, like the children’s game in which phrases change as you whisper them from one person to the next. We feature a handful of poems from one foreign poet in each issue, which are then translated roughly ten times by multiple different poets and translators. There are no rules about how each poem should be translated and we are hoping to solicit a variety of interpretations.