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by Michael Bourne
by James F. Thompson
Deep Thoughts humorist pens novel about Hawaii; the art of reading poetry backwards; Roger Ebert lives on in London; the pitfalls of marrying a writer; and other news.
Organizers of writing contests are, perhaps not suprisingly, wary of publicizing details of their budgets, but the organizers of three contest programs offered to share the numbers behind their 2011 contests as part of contributing editor Michael Bourne's “The Economics of Competition,” which serves as the centerpiece of the current issue’s special section on the risks and rewards of writing contests.
Watch Stephanie G'Schwind, Camille Rankine, Michael Collier, and Beth Harrison offer their advice for poets and writers interested in submitting their work to writing contests. G'Schwind, director of the Center for Literary Publishing; Collier, director of the Bread Loaf Writers' Conference; Rankine, communications coordinator at Cave Canem Foundation; and Harrison, associate director of the Academy of American Poets, talked with editor Kevin Larimer as part of a roundtable interview published in the May/June 2011 issue of Poets & Writers Magazine.
Small Press Points highlights the happenings of the small press players. This issue features CityLit Press, an independent publisher based in Baltimore that provides a venue for writers who might otherwise be ignored by larger independent or commercial publishers.
by Kevin Larimer
The brief, contentious, and ultimately fruitless relationship between poet Stacey Lynn Brown and the editors of Cider Press, points to an essential question that pops up often in literary publishing: Whose opinion—author's or publisher's—should matter most when it comes to finalizing the product that enters the marketplace as a book?
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