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by Rochelle Spencer
July/August 2012
Twenty-five years after poets Thomas Sayers Ellis and Sharan Strange founded the Dark Room Collective as a community for established and emerging African American writers, members have gathered for a reunion tour that celebrates the DRC’s rich history and far-reaching influence in the literary world.
The Dark Room Collective, a community of black writers founded twenty-five years ago in Boston by poets Thomas Sayers Ellis and Sharan Strange and musician Janice Lowe, regroups this year for the Nothing Personal reunion tour. This slideshow offers a look at the early days of the DRC as well as a glimpse of the poets today.
by Mary Gannon
September/October 2010
Moving into new poetic territory, Major Jackson, in his third collection, Holding Company, corrals the ecstatic in a ten-line form.
by Carleen Brice
November/December 2009
Author Carleen Brice recommends titles in honor of National Buy a Book by a Black Author and Give It to Somebody Not Black Month, the book-buying campaign she launched last year to heighten awareness of black authors who aren't as famous as Toni Morrison, Alice Walker, and Colson Whitehead.
by Thomas Sayers Ellis
November/December 2006
A decade after the founding of Cave Canem, Eady speaks about the ways in which the organization has developed into a "safe haven for black poets."
by Therese Eiben
January/February 2002
Ethiopian exile Nega Mezlekia's memoir, Notes From the Hyena's Belly, details his remarkable boyhood in Jijiga, a city in the eastern part of the Horn of Africa built on a "dry, sandless desert where even the smallest wind creates devils—whirlwinds of dust that rise high into the heavens and are visible from miles away."
by Natasha Trethewey
November/December 2001
Elizabeth Alexander's new collection, Antebellum Dream Book, deals with the image of the body, a theme she visits often in her previous works. "If you let a body speak," she says, "it gives you access to all sorts of concrete sensations that are vital, the stuff of poetry, the way a poem convinces." In this interview with Natasha Trethewey, Alexander speaks to her use of race, urban life, history, and of course, the body.
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