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Magazine articles tagged with writing groups.

From the Magazine

Posted 3.14.14

Cheryl Klein, former director of Poets & Writers’ California Office and Readings/Workshops (West), leads a discussion about resources for writers who live in Los Angeles during the first Poets & Writers Live event this past January. Panelists include Lauren Humphrey of 826LA, Rick Lupert of Poetry Superhighway, workshop and reading series leader Tracy Kato-Kirayama, and Terry Wolverton of Writers at Work. 

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Daily News

The Gersh Agency and Diversion Books have launched an imprint to publish titles by Gersh's clients; John Dvorak examines the actual cost of e-books; A. N. Devers looks at autographed first-edition book clubs; and other news.

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News and Trends

January/February 2013

Flying Object, a nonprofit artists and writers collaborative located in Hadley, Massachusetts, attracts hundreds of writers every month through classes, workshops, readings, exhibitions, and a do-it-yourself letterpress studio. 

The Dark Room Collective, Then and Now

The Dark Room Collective, a community of black writers founded twenty-five years ago in Boston by poets Thomas Sayers Ellis and Sharan Strange and musician Janice Lowe, regroups this year for the Nothing Personal reunion tour. This slideshow offers a look at the early days of the DRC as well as a glimpse of the poets today.

View the Slideshow

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Postcard

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Last Sunday, at the sixth annual Sarah Lawrence College Poetry Festival, poets Michael and Matthew Dickman joined Dorianne Laux and her husband Joseph Millar to talk about forming a writing community.

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Postcard

On April 1 I had the joy of being in the audience at the New School in New York City for a reading by six poets of the Oulipo, or Ouvroir de littérature potentielle ("workshop of potential literature"), a writers group founded in France in 1960 by writer and mathematician Raymond Queneau and scientist François Le Lionnaisnown.

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Special Section

November/December 2008

After a brief but torrential thunderstorm in mid-June, eight writers of poetry and prose, myself included, huddled around a picnic table crowded with three-buck beer and leaves of printed-out poems, stories, and essays in the concrete garden of a Brooklyn bar. It had been almost a year since I'd taken a seat at a table with other writers to talk about the stuff, the meat of our writing and the project at hand every time each of us settles in to confront the blank page.

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Postcard

The first time my then-fiancée mentioned Shanghai, China, and our future in the same sentence, we were canoodling in our favorite pizza place in Massachusetts. I, wildly in love, responded to the possibility with nothing more than a slight pause. “Move to China?” I asked. “Sure, why not!”

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