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by Stephen Morison Jr.
Four days after a liberal blogger and writer was stabbed at a bookstore during a reading in Beijing, the writing community here still has more questions than answers. Xu Lai is recovering, his compatriots are actively theorizing about the motives behind the incident in their blogs, and the proprietors of the bookstore-café that sponsored the event are uneasy and hoping to avoid notoriety.
The Burmese poet Saw Wai was sentenced on Monday to two years in prison for writing a love poem that contains a hidden criticism of the Burmese dictator General Than Shwe.
by Stephen Morison Jr.
In the cyclone-ravaged country of Myanmar, where citizens face censorship and repression, contributor Stephen Morison Jr. speaks with authors who, despite the country's Orwellian police state, refuse to be intimidated and continue to write.
by Joe Woodward
As the presidential election approaches, our national hand-wringing has ramped up and everyone is once again focused on the perennial question: What makes America America? Two recent literary anthologies show just how far this popular introspection reaches into our creative communities of writers and artists.
by Kevin Nance
For Ethan Canin, writing has never been easy—or, for that matter, pleasurable. Despite the sprawling achievement of America America, his newest novel might just be his last.
by Travis Nichols
While it's safe to say the twenty-first century has so far not been a great time for American diplomacy, a handful of new poetry anthologies, from Norton, Dalkey Archive Press, North Atlantic Books, and Graywolf Press, offer proof that American poetic diplomacy might be entering a new golden age.
by Sara Polsky
Five years ago, as poets and readers attended the annual StAnza poetry festival, the war began in Iraq. This year's festival, held from March 12 to March 16, acknowledged that anniversary explicitly with its two themes, "Poetry & Conflict" and "Sea of Tongues."
by Daniel Nester
Can political fiction matter? Stephen Elliott, the editor of Politically Inspired, an anthology published by MacAdam/Cage in 2003, and its follow-up, Stumbling and Raging: More Politically Inspired Fiction, published by MacAdam/Cage this month, casts his vote in the “definitely yes” column.
by Jodie Ahern
Poet Susan Atefat-Peckham and her six-year-old son were killed in a car accident in Ghor Safi, Jordan, on February 7, 2004. A professor in the MFA program at Georgia College & State University, Atefat-Peckham was in the Middle East as a Fulbright scholar teaching creative writing at the University of Jordan. She was 33. The following Direct Quote was originally posted on October 12, 2001, following the publication of her book That Kind of Sleep.
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