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by Jofie Ferrari-Adler
November/December 2009
As the editor in chief of Twelve, Jonathan Karp is always looking for good writing. Considering that half of all the books he’s published there have become best-sellers, that should make a lot of writers very, very excited.
by Kevin Larimer
July/August 2009
Last August, Howard Junker announced that at the end of 2009 he would retire as editor of ZYZZYVA, the literary journal he founded in San Francisco in 1985. Six months later, in February, he rescinded his resignation. Junker recently spoke about his change of heart and the future of the magazine.
by Jofie Ferrari-Adler
July/August 2009
Some publishers may have lost sight of what’s important, but the head of FSG shows his allegiance as he discusses the fallacy of the blockbuster mentality, what writers should look for in agents, and his close bond with authors.
by Jofie Ferrari-Adler
March/April 2009
Four young editors, from big houses and small, take some time off to discuss what makes a good manuscript, what they’ve come to expect from their authors, and how much of their work needs to be done at night and on weekends.
by Todd Boss
Against a backdrop of snowfall and accompanied by the jazz strains of “A Nightingale Sang in Berkeley Square,” a memorial service for the legendary W. W. Norton editor Carol Houck Smith, who died late last year at the age of eighty-five, was held recently at St. Peter’s Church in New York City.
by Sarah Weinman
January/February 2009
Dan Chiasson, who last fall succeeded former poet laureate Charles Simic as a poetry editor of the Paris Review, recently spoke—by phone from a New York City taxicab—about his new role at the venerable journal.
by Jofie Ferrari-Adler
November/December 2008
A veteran editor who has worked at publishing houses both large and small, Chuck Adams of Algonquin Books talks about what beginning writers tend to forget, the secret to selling two million copies, and the problem with MFA writing.
by Jofie Ferrari-Adler
September/October 2008
Known as a heavy-hitting agent willing to go to bat for her clients, Molly Friedrich discusses how an author should choose an agent, what she looks for in a manuscript, and what separates great agents from merely good ones.
by Jofie Ferrari-Adler
July/August 2008
Having settled into her new role at Nan Talese’s imprint following her ouster from Houghton Mifflin, editor Janet Silver discusses what she looks for in a new writer and what every author should know about agents.
by Kevin Larimer
May/June 2008
Founder and editor Rebecca Wolff speaks about Fence magazine’s tenth anniversary.