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by April Ossmann
Ordering a poetry collection requires the ability to see each poem from a distance as well as analyze the manuscript as a whole. The former executive editor of Alice James Books reveals her strategies for editing a strong book.
by Suzanne Pettypiece
Author-artists Michael Kimball, Michelle Wildgen, Jesse Ball, Abha Dawesar, and Jen Bervin talk about their "other" creative pursuits—cooking, photography, bookmaking, painting, and drawing—in relation to their writing.
by Henry Stimpson
Although The Human Line, published last month by Copper Canyon Press, is Ellen Bass’s fourth collection of poetry, the sixty-year-old poet says it feels like her second. After all, it's only the second book she’s published since taking a more than ten-year hiatus from writing poetry.
by Mark Eleveld
Perhaps no single book details the excesses of the 1980s—in particular the debauchery of the New York City social scene—better than Jay McInerney’s Bright Lights, Big City (Vintage Books, 1984). The author’s commercially successful debut novel was adapted into a movie, starring Michael J. Fox and Keifer Sutherland, in 1988.
by Nickole Brown
When I stepped off the plane in Aspen, Colorado, in June 1997, I found a 60-year-old Hunter S. Thompson waiting for me in a convertible Cadillac blasting Norman Greenbaum's "Spirit in the Sky" at full volume. I was terrified; he was giddy. He was playing the song because it was a part of the soundtrack put together for the film version of Fear and Loathing in Las Vegas that was scheduled to hit theaters the following summer, and he could not have been happier.
by Elissa Wald
Next month, Norton will publish Stephen Dunn's thirteenth book of poetry, The Insistence of Beauty, his second offering since his Different Hours won the 2001 Pulitzer Prize. In a writing career that has spanned three decades, Dunn has also been honored with the Academy Award for Literature from the American Academy of Arts & Letters, the James Wright Prize from the Mid-American Review, and the Levinson Award from Poetry magazine, as well as fellowships from the National Endowment for the Arts, the New Jersey State Council on the Arts, and the Guggenheim Foundation. He divides his time between Frostburg, Maryland, and Pomona, New Jersey, where he teaches creative writing at Richard Stockton College.
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