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by Evan Smith Rakoff
Melville House wonders when publishers will speak out about Amazon; New York City's Algonquin Hotel announced that when it reopens this spring after a renovation, the famed Oak Room will be gone; E. B. White answers a charge levied by the ASPCA; and more
by Staff
September/October 2011
In this issue we offer a look at a note written in 1969 from Edward Gorey to Peter F. Neumeyer, included in the book Floating Worlds: The Letters of Edward Gorey and Peter F. Neumeyer, published by Pomegranate this month.
by Kevin Larimer
November/December 2003
The published correspondence of famous poets often accounts for more real estate on bookstore shelves than their books of poems. The letters of Ezra Pound, for example, are collected in nearly 30 volumes published primarily by university presses over the last three decades. For academic scholars who spend their weekends in the special-collections rooms of libraries, the value of these books is obvious. But what are they worth to the general reader, or the practicing poet?
by M. A. Orthofer
November/December 2003
British poet and novelist Thomas Hardy, author of Tess of the D’Urbervilles and The Return of the Native, among other literary classics, wanted his personal papers burned after his death. In 1928, a bonfire was dutifully lit but not everything was consigned to the flames. Hardy’s second wife, Florence, saved at least 12 notebooks filled with information and sources on which the author based his later works of fiction. Thomas Hardy’s ‘Facts’ Notebook, edited by William Greenslade and released this month by Ashgate Publishing, is only the most recent to appear.
Burner is that girl. She's witty, pretty, and doesn't dumb herself down. By day, she's a kindergarten teacher and by night, dances gogo. Inspired by fellow revolutionaries from John Lennon to Virginia Woolf, she's a muse and amusing, compelling and never complacent. The Burner girl gets hot and bothered by the Marquis de Lafayette, aspires to redefine the zeitgeist like Nietzsche, and provokes thought like Margaret Atwood.
Midway Journal accepts submissions of aesthetically ambitious work that occupies the realms between both the traditional and experimental.