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From the Magazine
Remembering Wislawa Szymborska and Dorothea Tanning, Paul Auster's War of Words, and More
by Evan Smith Rakoff
Nobel prize-winning poet Wislawa Szymborska, as well as Surrealist artist and poet Dorothea Tanning, passed away yesterday in their respective countries; novelist Paul Auster has engaged in a war of words with Tayyip Erdogan, the prime minister of Turkey; Open Letters Monthly examines the hidden life of Virginia Woolf's institutionalized half-sister, Laura Makepeace Stephen; and other news.
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3 for Free
by Staff
January/February 2012
In this regular feature, we offer a few suggestions for podcasts, apps, web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities for readers and writers on a budget.
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Kimberly Farr reads an excerpt from the memoir Blue Nights (Knopf) in which Joan Didion writes with stunning frankness about the death of her daughter, Quintana Roo, as well as her own mortality.
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Literary MagNet
by Kevin Larimer
January/February 2007
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Oxford American, the Believer, Wholphin, McSweeney's, Rattapallax, the Reader, and Poetry Kanto.
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From Grants & Awards
From the Databases
Bound Off: Literary Audio Magazine
Bound Off is an Iowa-based independent literary magazine. Our mission is to merge the oral tradition of storytelling with new technology to create a digital audio magazine.
Super Arrow
Super Arrow is a biannual online journal for experiments in writing and art. Our publication is designed for community and creative risk. The name of the journal is a partial english-to-english homophonic transliteration of "supererogatory," or, beyond what is required. We mean this, whatever that means to you.
The Acentos Review
The Acentos Review publishes poetry, fiction, memoir, interviews, translations and artwork by emerging and established Latina/o writers four times a year. We welcome submissions in English, Spanish, Spanglish and indigenous languages.
Women in REDzine
We look for writing that is surprisingly exceptional, not necessarily the in your face brilliance, but the kind of writing that surprises you with story and a clear focus and voice. We love new writers, adore established writers, and embrace the I've-Never-Done-This-Before writers. If you have a story, a poem, an essay, or something that you haven't quite classified yet, but you think it could stand up to being read, then please submit it. Our staff loves to read!
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