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by John Moir
News and Trends
September/October 2008
The best advice for how to produce good poetry or prose has always been the most simple—just sit down and write—but perhaps sitting isn't the answer after all.
by Alexandra Enders
The Literary Life
March/April 2008
Why do some writers prefer company and background noise, while others need isolation? Why do some need the magical monotony of sameness, and others the inspiration of variety? What does it mean for a writer to be locked into a place? What does place even mean to a writer?
by Stephen Elliott
News and Trends
May/June 2007
An author makes what many would consider the ultimate professional sacrifice in the name of writing and rediscovers how to spend his time offline.
by Ken Gordon
The Literary Life
May/June 2006
It took a long time to write these words. I'm not referring to the psychosomatic affliction known as writer's block. I mean the delays caused by the process of composition and revision.
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