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From the Magazine
Goodbye to Algonquin's Oak Room, E. B. White Answers the ASPCA, and More
by Evan Smith Rakoff
Melville House wonders when publishers will speak out about Amazon; New York City's Algonquin Hotel announced that when it reopens this spring after a renovation, the famed Oak Room will be gone; E. B. White answers a charge levied by the ASPCA; and more
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short stories
The Invisible Library
by Alex Dimitrov
September/October 2009
The Invisible Library, the blog that invites readers to submit the titles of unwritten books they've discovered in their own reading, served as the primary inspiration behind the Invisible Library exhibition, which ran from June 12 to July 12 at the Tenderpixel Gallery in London.
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Literary MagNet
by Kevin Larimer
September/October 2008
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Literary Rejections on Display, Rejection Collection, Fence, Virginia Quarterly Review, ZYZZYVA, and Atlas.
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The New Creative Nonfiction Writers
by Kelly Nuxoll
July/August 2008
Citizen journalists, often blogging in real time, have forced an expansion of creative nonfiction by influencing public opinion on important issues such as the presidential campaign.
From Grants & Awards
From the Databases
Litro Magazine
We are a high-quality, innovative, literary magazine specializing in short fiction. We publish stories that excite us from new and established writers with strong voices and something to say.
Mat Black Online Magazine
The pieces that give us chills, the pieces that make us step back and
think about our surroundings, those are the ones we are looking for.
Make us laugh, make us cry, make us fear death. Hell, make us want to
die. Love, hate, hope, irony, depression—life has many feelings and
emotions. What makes you feel these things? We want to read something
that proves to us that the human brain is still worth something. Or
maybe it is worth nothing.
Telephone
The journal is called Telephone, like the children’s game in which phrases change as you whisper them from one person to the next. We feature a handful of poems from one foreign poet in each issue, which are then translated roughly ten times by multiple different poets and translators. There are no rules about how each poem should be translated and we are hoping to solicit a variety of interpretations.
The Fiddleback
We look for writing that pushes the boundaries of language, for writers who would never be clichéd enough to use the phrasing “pushes the boundaries of language.” We believe that strong writers are mindful of the words they hire to represent them and understand that infinitudes can be built or lost within the slippery confines of the sentence. We are tired of stories and poems that don’t play for keeps. We are more inclined toward the outlandish, toward the unsayable, toward the spectacle.
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