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by Adrian Versteegh
News and Trends
March/April 2010
Advancements in print-on-demand technology, such as the Espresso Book Machine, are offering publishers and authors alike new opportunities to bridge the still-pronounced divide between electronic and "tangible" publishing.
by Adrian Versteegh
News and Trends
January/February 2010
It may not have been The Year Print Died, but 2009 will undoubtedly go down as the year digital literature became impossible to ignore. From celebrity authors' crowdsourcing stories through Twitter, to the proliferation of online publishing platforms, to the bruiting discord over the Google Book Search settlement, something new is plainly afoot in the publishing world, even if the ramifications for writers are still more a matter of conjecture than measurement.
by Adrian Versteegh
Daily News
In the first major overseas legal challenge to its massive book-scanning project, Google’s French division was hit last week with a copyright infringement lawsuit. Publishing group La Martinière, backed by the editors association Syndicat national de l’édition (SNE) and the writers union Société des gens de lettres (SGDL), is asking a Paris court to force the Internet giant to halt its digitization of protected works and to levy a fine of eighteen million euros (about $26 million) as well as a per diem fine of one hundred thousand euros ($146,000).
by Adrian Versteegh
Daily News
A month after signing a distribution deal with the Barnes & Noble eBookstore, online publishing platform Smashwords announced on Tuesday that it has reached a similar arrangement with Sony. Authors who upload their work to Smashwords through Sony’s new “Publisher Portal” can expect to see it added to the Sony e-book catalogue in as little as ten days, the company said.
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