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by Evan Smith Rakoff
Melville House wonders when publishers will speak out about Amazon; New York City's Algonquin Hotel announced that when it reopens this spring after a renovation, the famed Oak Room will be gone; E. B. White answers a charge levied by the ASPCA; and more
by Evan Smith Rakoff
Nobel prize-winning poet Wislawa Szymborska, as well as Surrealist artist and poet Dorothea Tanning, passed away yesterday in their respective countries; novelist Paul Auster has engaged in a war of words with Tayyip Erdogan, the prime minister of Turkey; Open Letters Monthly examines the hidden life of Virginia Woolf's institutionalized half-sister, Laura Makepeace Stephen; and other news.
by Kelly Nuxoll
The origin and form of Mayhill Fowler’s Huffington Post report on Barack Obama's use of the word "bitter" suggest her work is neither blogging nor journalism, but creative nonfiction. That its effect was out of proportion with its intention begs the question: What can the creative nonfiction writer expect in the Information Age?
by Joe Woodward
January/February 2006
Whether it’s a thousand-page novel, a single-paragraph story, or a footnoted essay, the elusive author always offers a complicated—and sometimes maddening—reading experience. But is there more to David Foster Wallace than words on a page?
20×20 magazine is a square platform for writings, visuals and cross-bred projects. Rather than on a theme, each issue is assembled around meta-words to be interpreted, researched, illustrated according to a loose, wide and multi-angled perspective. The magazine includes 3 sections:
Words – in the shape of fiction, essays, poetry
Visions – drawings, photography and visual projects
The Blender – where words and visions cross paths
Burner is that girl. She's witty, pretty, and doesn't dumb herself down. By day, she's a kindergarten teacher and by night, dances gogo. Inspired by fellow revolutionaries from John Lennon to Virginia Woolf, she's a muse and amusing, compelling and never complacent. The Burner girl gets hot and bothered by the Marquis de Lafayette, aspires to redefine the zeitgeist like Nietzsche, and provokes thought like Margaret Atwood.
Headmaster, the biannual art magazine for man-lovers, is published twice a year in an edition of 1,000. All work in Headmaster is assigned by the editors. Writers and artists interested in receiving homework assignment from the editors should submit a bio and writing samples via email. Headmaster publishes roughly five text-based pieces per year. Work published in the first two issues of Headmaster include erotica, film criticism, travel writing and memoir. The editors of Headmaster are interested in other forms of writing as well.
Midway Journal accepts submissions of aesthetically ambitious work that occupies the realms between both the traditional and experimental.
TRol is an international magazine run by writers for civilized readers. We offer:
● The best fiction we can find from anywhere
● The usual mix of memoirs, Archives, poetry (in moderate doses)
● Greatly expanded arts coverage
● A Books section which is a reliable guide to reading
● Room for more political comment
● And of course PB's grouchy Notebook