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by Mary Gannon
September/October 2010
Moving into new poetic territory, Major Jackson, in his third collection, Holding Company, corrals the ecstatic in a ten-line form.
by Carleen Brice
November/December 2009
Author Carleen Brice recommends titles in honor of National Buy a Book by a Black Author and Give It to Somebody Not Black Month, the book-buying campaign she launched last year to heighten awareness of black authors who aren't as famous as Toni Morrison, Alice Walker, and Colson Whitehead.
by Thomas Sayers Ellis
November/December 2006
A decade after the founding of Cave Canem, Eady speaks about the ways in which the organization has developed into a "safe haven for black poets."
by Therese Eiben
January/February 2002
Ethiopian exile Nega Mezlekia's memoir, Notes From the Hyena's Belly, details his remarkable boyhood in Jijiga, a city in the eastern part of the Horn of Africa built on a "dry, sandless desert where even the smallest wind creates devils—whirlwinds of dust that rise high into the heavens and are visible from miles away."
We publish literary fiction and poetry based in contemporary urban (and sometimes sub-urban) settings. Our goal is to support the independent publishing process and to promote urban-themed writing.
Designed off the image of a train station with many tracks extending outward, Union Station has a distinct urban aesthetic. We seek to be inclusive, to put into relation the many narratives, images, and voices that are redefining our landscape.
We look for writing that is surprisingly exceptional, not necessarily the in your face brilliance, but the kind of writing that surprises you with story and a clear focus and voice. We love new writers, adore established writers, and embrace the I've-Never-Done-This-Before writers. If you have a story, a poem, an essay, or something that you haven't quite classified yet, but you think it could stand up to being read, then please submit it. Our staff loves to read!