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by Kevin Nance
January/February 2012
For nearly a century, the ampersand has been a key feature of certain strands of American poetry. To understand its history in the genre—and the role it plays for contemporary poets—one must return to the character’s origins.
by April Ossmann
March/April 2011
Ordering a poetry collection requires the ability to see each poem from a distance as well as analyze the manuscript as a whole. The former executive editor of Alice James Books reveals her strategies for editing a strong book.
by Suzanne Pettypiece
January/February 2010
Author-artists Michael Kimball, Michelle Wildgen, Jesse Ball, Abha Dawesar, and Jen Bervin talk about their "other" creative pursuits—cooking, photography, bookmaking, painting, and drawing—in relation to their writing.
by John Moir
September/October 2008
The best advice for how to produce good poetry or prose has always been the most simple—just sit down and write—but perhaps sitting isn't the answer after all.
Talking Writing is an online monthly literary magazine that supports writers and those interested in literature by encouraging creative discussion of the writing process. Each issue of Talking Writing features the work of a poet, a fiction or creative nonfiction writer, and a visual artist or photographer. TW includes long reviews and personal essays, pieces that are often hard to place in print. We are committed to a new kind of magazine, one that’s dynamic, talky, inspiring, and not too dusty.
The journal is called Telephone, like the children’s game in which phrases change as you whisper them from one person to the next. We feature a handful of poems from one foreign poet in each issue, which are then translated roughly ten times by multiple different poets and translators. There are no rules about how each poem should be translated and we are hoping to solicit a variety of interpretations.