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by Evan Smith Rakoff
Melville House wonders when publishers will speak out about Amazon; New York City's Algonquin Hotel announced that when it reopens this spring after a renovation, the famed Oak Room will be gone; E. B. White answers a charge levied by the ASPCA; and more
by Adrian Versteegh
September/October 2011
Recently released amplified editions of classics such as Jack Kerouac’s On the Road and T. S. Eliot’s The Waste Land indicate that the hybrid format may finally be coming into its own.
by Adrian Versteegh
May/June 2010
Since last fall, an Alameda, California–based start-up has been blending digital text, images, video, and social networking to produce what it calls "vooks" (a portmanteau word formed from video and book), which can be accessed through any Web browser or downloaded to mobile devices via Apple's iTunes Store.
by Adrian Versteegh
Online writing community Protagonize—a platform for collaborative, interactive fiction—announced last week that it will begin implementing an optional subscription system. While core services will remain free, paid accounts are set to include, among other features, ad-free browsing, personal blogs, and reader statistics.
Blank Slate Press was founded to discover, nurture, publish and promote emerging voices from the greater Saint Louis region.
Burner is that girl. She's witty, pretty, and doesn't dumb herself down. By day, she's a kindergarten teacher and by night, dances gogo. Inspired by fellow revolutionaries from John Lennon to Virginia Woolf, she's a muse and amusing, compelling and never complacent. The Burner girl gets hot and bothered by the Marquis de Lafayette, aspires to redefine the zeitgeist like Nietzsche, and provokes thought like Margaret Atwood.
Electric Literature’s mission is to use new media and
innovative distribution to keep literature a vital force in popular
culture. Our quarterly anthology is streamlined--just five great stories
in every issue--and available in every viable medium.
Without restricting ourselves to a particular genre, media, or theme, we aim to publish interesting, quality works, and every issue has a unique flavour.
Each of our two General Editors takes ownership of at least one issue per year, acting as the chief editor (or Uber-editor) for a particular issue, and leaves one issue per year open for a Guest Editor to act as Uber-editor. This is just one more way in which Forge celebrates the diversity of contributors while exercising our own unique style, issue by issue.
Midway Journal accepts submissions of aesthetically ambitious work that occupies the realms between both the traditional and experimental.
TRol is an international magazine run by writers for civilized readers. We offer:
● The best fiction we can find from anywhere
● The usual mix of memoirs, Archives, poetry (in moderate doses)
● Greatly expanded arts coverage
● A Books section which is a reliable guide to reading
● Room for more political comment
● And of course PB's grouchy Notebook