In
contrast to distracting tweets and fleeting blog posts, Little Star, a
new annual of poetry and
prose based in New York City, is "dedicated to the proposition that
engaged
readers need reading that fills their appetites...when so much of our
reading
comes in such small bites." The inaugural issue features a host of
big-time
writers, including Lydia Davis, Seamus Heaney, Paul Muldoon, and Padgett
Powell, along with a handful of debut authors. Editor in chief Ann
Kjellberg, a
former editor of the New
York
Review of Books, is currently reading submissions for the
second
issue.
Still Crazy,
the
two-year-old biannual based in Columbus, Ohio, written by and about
people
over the age of fifty, is looking for poetry, short stories, and essays
that
"challenge patronizing, sentimental, or stereotyping attitudes toward
aging."
In March Lorin Stein was named editor of
the Paris Review,
the
fifty-seven-year-old quarterly that, until recently, had been edited by
Philip
Gourevitch. (Gourevitch, who succeeded the late George Plimpton in 2005,
announced last November that he was stepping down to return to writing
full-time.) Despite the changes to its masthead, the prestigious
magazine
continues to accept submissions of poetry, fiction, and nonfiction from
emerging
writers; see the Web site for details.
Established in 1915, the Southwest Review, the third-oldest
continuously
published literary quarterly in the United States, is celebrating its
ninety-fifth anniversary with a special double issue on the theme of
"Style as
Performance/Performance as Style," published in April. Edited by Willard
Spiegelman,
an English professor at Southern Methodist University in Dallas, where
the
journal is based, the Southwest
Review accepts submissions of poetry, fiction, and nonfiction
from
September through May.
The
Spring/Summer
issue of Alaska
Quarterly
Review,
the twenty-seven-year-old journal published at the University of Alaska
in
Anchorage, was guest edited by Amy Hempel and includes "innovative
fiction" by
twenty-one emerging and established writers, including O. Henry Award
winner
Patricia Lear and National Book Award winner Lily Tuck; poems by Todd
Boss and
Jeanne Emmons; and an essay by Arnold G. Nelson titled "How to Write a
Good
Sentence: A Manual for Writers Who Know How to Write Correct Sentences."
To celebrate "ten years of this little
kickass
magazine," DIAGRAM, the
online journal of text and art that invites submitters to "make us love
you"
and is edited by Ander Monson and published by the English department at
the
University of Arizona in Tucson, recently released a special issue in
the form
of a playable deck of cards adorned with poems and prose—by authors
such as John D'Agata, Paul La Farge, and
Ben Marcus—and, of course, diagrams.
Linebreak, a free online journal updated every Tuesday, offers
three
options for readers looking for a manageable dose of poetry: Subscribers
can
choose to receive poems via e-mail, RSS, or as
a weekly
audio podcast through iTunes. (Contributors include Bob Hicock, D. A.
Powell,
and A. E. Stallings.) And while many journal editors take a summer
hiatus, Linebreak's
Ash Bowen,
Jennifer Jabaily, Ashley McHugh, and Johnathon Williams accept
submissions
year-round.
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