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Award Offered for North Carolina–Inspired Writing, Plus Other State Prizes

Read more from G&A: The Contest Blog

A blog from: Poets & Writers Magazine

Posted by Prize Reporter on 6.02.10

The North Carolina Humanities Council recently announced a call for submissions to its Linda Flowers Literary Award competition. A prize of five hundred dollars and a residency at the Weymouth Center for the Arts and Humanities will be awarded to a writer—state residency is not required—for a work of poetry or prose that relates to the people and cultures of North Carolina.

The award is given in honor of Linda Flowers, a member of the council who authored the nonfiction book Throwed Away: Failures of Progress in Eastern North Carolina (University of Tennessee Press, 1993), which draws on her personal experiences with economic travesties occurring in rural regions of her home state. "We want to celebrate excellence in the humanities achieved by people like her," the council says on its Web site, emphasizing that it will be seeking out writers "who not only identify with our state, but who explore the promises, the problems, the experiences, the meanings in lives that have been shaped by North Carolina and its many cultures."

The deadline for submissions is August 15. For more information about the award, writers can visit the Web site or e-mail the council.

Among other organizations offering state grants this summer is Literary Arts, based in Portland, Oregon, which supports the state's writers with fellowships of $2,500 (women writers whose work touches on themes of race, class, physical disability, or sexual orientation are also eligible for a special award). The deadline for submissions is June 25.

Maryland authors who have published or will publish a book in 2010 can submit titles for Towson University's Prize for Literature until June 15, and Washington State writers can enter their work for a grant from Seattle-based Artist Trust until June 25.

In the video below, North Carolina poet laureate Cathy Smith Bowers reads a poem from her most recent book, The Candle I Hold Up to See You (Iris Press, 2009), touching on the private, metaphorical language taught her by her mother.

 

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