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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The founders of revivalist press Emily Books talk about their recent partnership with Coffee House Press, staying true to their ethics, and sustaining the future of “weird books by women.”
Now in its fifth year, the New York City–based Uni Project has installed hundreds of pop-up reading rooms in public spaces, bringing books to underserved communities throughout the city and beyond.
New York Times Book Review editor Pamela Paul shares her insights on the ethical and practical challenges of being the head of the last of the stand-alone newspaper book review sections.
The Asian American Writers Workshop rings in its twenty-fifth year at the forefront of the movement to diversify the publishing industry, and to provide advocacy, education, opportunity, and visibility to Asian American poets and writers.
BuzzFeed’s newly minted executive editor of culture discusses his new position at the media company, and his goals for the recently launched BuzzFeed Emerging Writers Fellowship.
Catapult, a new literary venture that launched in September, is working to provide resources for writers at every stage of their career—from workshops to self-publishing platforms to traditionally published books—in an effort to create an online community that “conceptually mirrors the ecosystem in which writers and creatives exist right now.”
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Four young literary agents meet for an evening of food, drink, and conversation about how they find new authors, what they need to see in a query letter, and the common mistakes writers should avoid.
The Center for Humanities at the CUNY Graduate Center in New York City is making the ephemeral more tangible through its Lost & Found chapbook series.
The New York City–based art and politics magazine rings in its second decade with its first paid staff position and the launch of a print anthology.