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G&A: The Contest Blog

In each issue of Poets & Writers Magazine we highlight new writing contests never before published in the Deadlines section of Grants & Awards. The May/June 2009 issue features seven such contests: ABZ Press's First Book Prize, Emergency Press's Book Contest, Grub Street's Nonfiction Book Prize, Narrative Magazine's Poetry Contest, Snake Nation Press's Vilet Reed Haas Poetry Award, St. Francis College's Literary Prize, and The Writer's Short Story Contest.

On G&A: The Contest Blog we'll occasionally offer more information about some of the sponsors of these new contests. First up, Emergency Press.

emergency logo

 

A nonprofit, independent publisher located in New York City, Emergency Press was founded about eight years ago by the Emergency Collective, a group of writers who wanted to bridge what they considered "counterproductive divides in contemporary literature." From their Web site: "We engage in sustained artistic explorations of issues that we each individually believe are on the verge of emerging from the unconscious commonplace into collective emergencies. We publish poetry, fiction, essays, drama, new media, or hybrids of these. More often than not, the work is investigative, research-intensive, or engaged with the language of facts."

The only problem is that you have to be a member of the collective to get a book published by Emergency Press. Well, that's not really a problem anymore. The winner of the press's new book contest, which will be given annually for a book of poetry, fiction, creative nonfiction, or hybrid of genres that explores a single topic, automatically gains membership—and a thousand dollars and publication of the winning book.

Emergency titles include Chad Faries's The Border Will Be Soon: Meditations on the Other Side and Brian Tomasovich's Ouisconsin: The Dead in Our Clouds.

The deadline for the inaugural contest is June 1, and there's a twenty-dollar entry fee. Jayson Iwen will be the first judge.

And for those confused readers who came here looking for an instructional video about the Chinese emergency press button, well here it is:  

The Samuel French Morse Poetry Prize, which nurtured the careers of more than two dozen poets since the first award was given in 1983 (when judge Anthony Hecht chose Susan Donnelly's Eve Names the Animals), has been suspended. "There's little to say," replied series editor Guy Rotella when asked for details. "The economics no longer work."

The annual prize, sponsored by Northeastern University in Boston, offered a thousand dollars and publication by Northeasterm University Press with distribution through the University Press of New England, for a first or second book of poems.

The most recent winner is Lisa Gluskin, whose collection Tulips, Water, Ash was selected by judge Jean Valentine earlier this year. The book is scheduled to be published in September. Previous winners include Carl Phillips (In the Blood, 1992), Allison Funk (Living at the Epicenter, 1995), Jennifer Atkinson (The Drowned City, 2000), Ted Genoways (Bullroarer, 2001), and Roy Jacobstein (A Form of Optimism, 2006). Past judges included Maxine Kumin, X.J. Kennedy, Donald Hall, Mary Oliver, Peter Davison, Charles Simic, Rachel Hadas, A. R. Ammons, David Ferry, Sonia Sanchez, Molly Peacock, Edward Hirsch, Carolyn Kizer, Alfred Corn, Marilyn Hacker, Rosanna Warren, Ellen Bryant Voigt, Eric Pankey, Lucia Perillo, Charles Harper Webb, and Rodney Jones.

For the first twenty-one years of the award, the winning books retained the series' signature design. Below are a few of the covers from the earlier period, Genoways's Bullroarer, Robert Cording's The Actual Moon, the Actual Stars, and Dana Roeser's Beautiful Motion, followed by the most recently published—and, as it turns out, repeat—winner, Roeser's In the Truth Room.

cover of Bullroarer  cover of The Actual Moon, the Actual Stars  cover of beautiful motion  cover of In the Truth Room

 

Around this time each year, Pacific Rim Voices, sponsor of the thirty-thousand-dollar Kiriyama Prizes, would announce the winners of the annual awards for books of fiction and nonfiction that encourage "greater understanding of and among the nations of the Pacific Rim and South Asia." But about six months ago the San Francisco-based nonprofit announced instead that the award program would be restructured. "While this process is under way, publishers are kindly asked not to submit further entries," the Web site states. "When a new time line and new rules are in place, entries will once again be welcome." So, we wait.

In the meantime, here's a list of the past winners of the prizes. Note that during the first three years of the prize, there was only one winner—in fiction or nonfiction.

2008
Fiction: Lloyd Jones for Mister Pip
Nonfiction: Julia Whitty for The Fragile Edge: Diving and Other Adventures in the South Pacific

2007
Haruki Murakami for Blind Willow, Sleeping Woman (translated by Phillip Gabriel and Jay Rubin)
Greg Mortensen and David Oliver Relin for Three Cups of Tea: One Man's Mission to Promote Peace... One School at a Time

2006
Luis Alberto Urrea for The Hummingbird's Daughter
Piers Vitebsky for The Reindeer People

2005
Nadeem Aslam for Maps for Lost Lovers
Suketu Mehta for Maximum City: Bombay Lost and Found

2004
Shan Sa for The Girl Who Played Go
Inga Clendinnen for Dancing With Strangers

2002
Rohinton Mistry for Family Matters
Pascap Khoo Thwe for From the Land of Green Ghosts: A Burmese Odyssey

2001
Patricia Grace for Dogside Story
Peter Hessler for River Town: Two Years on the Yangtze

2000
Michael Ondaatje for Anil's Ghost
Michael David Kwan for Things That Must Not Be Forgotten: A Childhood in Wartime China

1999
Cheng Ch'ing-wen for Three-Legged Horse (various translators)
Andrew X. Pham for Catfish and Mandala: A Two-Wheeled Journey through the Landscape and Memory of Vietnam

1998
Fiction: Ruth L. Ozeki for My Year of Meats

1997
Nonfiction: Patrick Smith for Japan: A Reinterpretation

1996
Fiction: Alan Brown for Audrey Hepburn's Neck

And, in case you're wondering which countries consitute the Pacific Rim, here's a map from the organization's Web site:

Pacific Rim countries

The Poetry Foundation, the Chicago-based publisher of Poetry magazine, announced today that Fanny Howe and Ange Mlinko are the recipients of two of its Pegasus Awards, a "family" of annual prizes sponsored by the organization. Howe was named winner of the 2009 Ruth Lilly Poetry Prize, worth a hundred thousand dollars, and Mlinko won the ten-thousand-dollar Randall Jarrell Award in Poetry Criticism. 

The Lilly Prize, named after the Poetry Foundation's best friend in the whole wide world, is given annually to a U.S. poet "whose lifetime accomplishments warrant extraordinary recognition." Previous recipients include Adrienne Rich, Philip Levine, John Ashbery, Charles Wright, Yusef Komunyakaa, Lucille Clifton, and Gary Snyder. Howe, the author of thirteen books of poetry, recently published a memoir, The Winter Sun: Notes on a Vocation (Graywolf Press, 2009), in which she wrote, "Since early adolescence I have wanted to live the life of a poet."

In announcing the prize, Poetry editor Christian Wiman said, "Fanny Howe is a religious writer whose work makes you more alert and alive to the earth, an experimental writer who can break your heart."

Mlinko is the third recipient of the Randall Jarrell Award, which is awarded for "poetry criticism that is intelligent and learned as well as lively and enjoyable to read." She is the author of two books of poetry, Matinees (Zoland Books, 1999) and Starred Wire (Coffee House Press, 2005). The Poetry Foundation praised her criticism as "brilliantly wide-ranging" and "eclectic and astringent yet always lucid and generous." 

If you're unfamiliar with Howe, yet curious about the work of a poet who receives a cash prize with five zeroes attached to it, check out the video below, produced last year by the University of California Television and the Museum of Contemporary Art in San Diego.

 

We've all read about the commercial publishing houses, independent presses, magazines, writers conferences, book festivals, and other literary operations that are feeling the financial pressure these days. At the risk of writing another sentence that includes "in these tough economic times," a phrase that, at this point, makes the eyes of even the most jittery realist glaze over, we'd like to turn the discussion to writing contests—especially those that require entry fees.

Given the economic forecast, are you submitting to more contests with hopes of winning that cash prize? Or has the budget item labeled “entry fees” been cut as a result of the belt-tightening measures that almost all of us have had to take?

Post a comment below and tell us how the economy has affected your contest submissions. And if you need a little something to get you in the mood for budgetary consideration—as if any of us needs more of that—here's “Economic Equation,” a video poem by Michael Ricciardo that, although produced in 2001, still resonates.

 

From a pool of almost three thousand applicants, 180 artists, scientists, and scholars—including more than thirty writers—received some good news from Edward Hirsch yesterday. The president of the John Simon Guggenheim Memorial Foundation announced the recipients of the 2009 Guggenheim Fellowships, each worth around forty thousand dollars. 

The fellows in poetry are Saskia Hamilton, Joseph Harrison, Terrance Hayes, Lyn Hejinian, Laura Kasischke, Barbara Ras, Lisa Russ Spaar, Larissa Szporluk, and Daniel Tobin.

The fellows in fiction are Chris Abani, Chris Adrian, Stacey D'Erasmo, Ellen Feldman, John Haskell, Ken Kalfus, Marshall N. Klimasewiski, Richard Lange, Zachary Lazar, Fae Myenne Ng, and George Singleton.

The other creative arts categories were drama, biography, general nonfiction, photography, fine arts, film, music composition, choreography, and video and audio.

Since its establishment in 1925, the foundation has awarded more than $273 million to nearly 16,700 individuals, including poets W. H. Auden, Langson Hughes, and Derek Walcott and fiction writers Vladimir Nabokov, Philip Roth, and Eudora Welty.

Below are videos of three of the new fellows—Terrance Hayes, John Haskell, and Chris Abani—reading and discussing their work.

 

 

 

The telecommunications company Orange, in partnership with Arts Council England, announced today the finalists for the 2009 Orange Award for New Writers, an annual prize given to a woman novelist or short story writer who has published only one book of fiction.

The finalists are Ann Weisgarber, an Ohio native who now splits her time between Sugar Land and Galveston, Texas, for The Personal History of Rachel DuPree (Macmillan New Writing, 2008); Nami Mun, who was born in Seoul, North Korea, and currently lives in Chicago, for Miles From Nowhere (Riverhead, 2009); and Francesca Kay, who grew up in Southeast Asia and India and now lives in Oxford, England, for An Equal Stillness (Weidenfeld and Nicolson). The winner, who will be announced on June 3, will receive a bursary, or scholarship, of £10,000 (approximately $14,645). Joanna Kavenna won last year for her novel Inglorious (Faber).

Weisgarber is also on the longlist for the Orange Broadband Prize for Fiction, which was announced last month. The annual prize, also sponsored by Orange and given for the best novel by a woman writer, is worth £30,000 (nearly $44,000). Weisgarber joins Ellen Feldman (Scottsboro, Norton), Allegra Goodman (Intuition, Dial Press), Samantha Hunt (The Invention of Everything Else, Houghton Mifflin), Toni Morrison (A Mercy, Knopf), Gina Ochsner (The Russian Dreambook of Colour and Flight, Portobello), Marilynne Robinson (Home, Farrar, Straus and Giroux), Preeta Samarasan (Evening Is the Whole Day, Houghton Mifflin), Curtis Sittenfeld (American Wife, Random House), Miriam Toews (The Flying Troutmans, Counterpoint), and ten others on the longlist, which will be winnowed down to a shortlist on April 21.

Below is a video from last year's ceremony, where Rose Tremain received the Orange Broadband Prize for her novel The Road Home. (Don't miss the classic awards ceremony music they piped into the room after the announcement.) 

 

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