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G&A: The Contest Blog

A recent survey conducted by the New York Foundation for the Arts (NYFA) suggests that half of the artists living in New York State make less than twenty-five thousand dollars per year. Whether or not any of the 134 individuals who were recently awarded NYFA's annual fellowship grants fall into that category is unknown, but all of them will no doubt benefit from the unrestricted grants worth seven thousand dollars each.

The grants were given in eight categories, including film, digital/electronic arts, and interdisciplinary work. The fellows in poetry are E. J. Antonio, Edmund Berrigan, Tina Chang, Monica de la Torre, LaTasha Diggs, Marcella Durand, Alan Gilbert, Jennifer Hayashida, Lisa Jarnot, Mara Jebsen, Suji Kim, Anna Moschovakis, Willie Perdomo, Julie Sheehan, Patricia Smith, Sue Song, Paige Taggart, and Anne Tardos.

The fellows in nonfiction literature are Jo Ann Beard, Allison Cobb, Sarah Dohrmann, Ellen Graf, Sabine Heinlein, Hettie Jones, Jessica Lamb-Shapiro, Andrew Postman, Sharifa Rhodes-Pitts, Phillip Robertson, Gabrielle Selz, Ginger Strand, Rene Vasicek, and Eben Wood.

Fellowships are awarded to writers and artists at all career levels and are intended to give them the means to continue making work despite financial restraints.

A debut novelist who was born and raised in Boston and lives in New York has been chosen from nearly 150 nominees from 41 countries as winner of this year's IMPAC Dublin Literary Award. Michael Thomas won the prize—worth 100,000 euros, or nearly 140,000 dollars—for his first novel, Man Gone Down (Grove, 2007). He beat eight semifinalists, including Junot Díaz (The Brief Wondrous Life of Oscar Wao), Mohsin Hamid (The Reluctant Fundamentalist), and David Leavitt (The Indian Clerk).

This year, as has been the case so many times in the past, readers from every corner of the world have uncovered wonderful novels that otherwise may never have grasped public attention," Dublin mayor Éibhlin Byrne said yesterday. 

Previous winners of the award, given annually since 1996 for a single work of fiction published in English, include Colm Tóibín for The Master and Edward P. Jones for The Known World. Rawi Hage won last year for his debut novel, De Niro's Game.

Looking for a place to write during the summer? Sure, you could hole up in your home office or sweet-talk the barista at your local coffee bar and claim the corner table as your own. But if you want a truly unique writing spot, consider Frost Place, the nonprofit educational center for poetry and the arts based at Robert Frost’s old homestead in Franconia, New Hampshire. July 3 is the deadline for next year's Resident Poet Award. The prize of two thousand dollars and a two-month residency at Frost's old farmhouse is given annually to a poet who has published at least one poetry collection. 

This year's winner is Poets & Writers Magazine contributing editor Rigoberto González, who will be arriving in Franconia in early July and spend two months in the house where Frost and his family lived full-time from 1915 to 1920 and spent nineteen summers. The Frost Place has been awarding the residency for the past tweny-two years. Previous winners include Katha Pollitt, Robert Hass, William Matthews, Mary Jo Salter, Denis Johnson, Sherod Santos, Pattiann Rogers, Stanley Plumly, Jeffrey Skinner, B. H. Fairchild, Major Jackson, and Laura Kasischke.

By now you've probably read Louis Menand's article about creative writing programs in the current issue of the New Yorker—or read an article by someone who's read the Louis Menand article. From the first paragraph, in which Menand uses the phrase "ritual scarring and twelve-on-one group therapy" to describe the writing workshop, he's got your attention. One can assume Teachers & Writers Collaborative is looking for similarly captivating prose for its Bechtel Prize. The fifteen-hundred-dollar award is given annually for an essay that relates to creative writing education, literary studies, or the profession of writing. The deadline is June 30. 

If you need help getting your Bechtel essay-writing hat on, you might want to consider taking the poll over at the New Yorker's Book Bench: So far, 57% of respondents say they enjoyed their MFA experience, while only 49% consider the experience worth it.

Then again, you may want to avoid Menand's article and the poll altogether and write something from your own experience—especially if you've been scarred by that years-long, twelve-on-one therapy session. You have an MFA, right? Use it.

 

Marilynne Robinson on Wednesday was named winner of the Orange Broadband Prize for Fiction at a ceremony in London. She won for her third novel, Home (Farrar, Straus and Giroux, 2008). "This year's Orange Prize winner has a luminous quality to it that has drawn all of the judges to a unanimous decision," said Fi Glover, chair of the judging panel. "The profound nature of the writing stood out, as has the ability of the writer to draw the reader into a world of hope, expectation, misunderstanding, love, and kindness." Robinson, who was chosen over finalists Ellen Feldman, Samantha Harvey, Samantha Hunt, Deidre Madden, and Kamila Shamsie, will receive £30,000 (nearly $44,000).

Also on Wednesday, Francesca Kay was named winner of the Orange Award for New Writers for An Equal Stillness (Weidenfeld and Nicolson). Judge Mishal Husain called the novel "a brilliant evocation of an artist struggling to meet the demands of her domestic life." Kay will receive a bursary, or scholarship, of £10,000 (approximately $14,645).

C. D. Wright, who was shortlisted for the Griffin International Poetry Prize in 2003 for Steal Away but lost to Paul Muldoon, took the top honor this year for her twelfth book, Rising, Falling, Hovering. She will receive $50,000 Canadian, or approximately $45,950. Rising, Falling, Hovering was published last April by Copper Canyon, the same press that published W. S. Merwin's 2009 Pulitzer Prize-winning volume The Shadow of Sirius. Wrighted edged out three other finalists, including Dean Young, whose collection Primitive Mentor was published by the University of Pittsburgh Press.

The winner of the Canadian prize is A. F. Moritz for The Sentinel (House of Anansi Press). In September, both winners will be invited to Reykjavik, Iceland, to read at the International Literary Festival.

The announcements were made yesterday in Toronto at an awards ceremony hosted by Scott Griffin, founder of the prize, and Margaret Atwood, Carolyn Forché, Robert Hass, Michael Ondaatje, Robin Robertson, and David Young.

German poet and essayist Hans Magnus Enzensberger was also honored at the ceremony with a Lifetime Achievement Award.

The Arab American National Museum in Dearborn, Michigan, recently announced the winners of the 2008 Arab American Book Awards. The annual prizes are given to authors, editors, or illustrators of books "that preserve and advance the understanding, knowledge, and resources of the Arab American community" in order to inspire authors and educate readers about the community.

(Here's a little education from the press release: The twenty-two Arab countries are Mauritania, Morocco, Algeria, Tunisia, Libya, Egypt, Sudan, Somalia, Djibouti, Comoros Islands, Syria, Lebanon, Iraq, Jordan, Palestine, Saudi Arabia, Bahrain, Kuwait, Oman, Qatar, United Arab Emirates, and Yemen.)

The winner in poetry is Suheir Hammad for breaking poems (Cypher Books). Randa Jarrar won in fiction for A Map of Home: A Novel (Other Press). The winner in nonfiction is Moustafa Bayoumi for How Does It Feel to Be a Problem?: Being Young and Arab in America (Penguin Press). And poet Naomi Shihab Nye won in the category of children or young adult for Honeybee: Poems & Short Prose (Greenwillow Books).

Below is a video of Hammad at the Palestinian Festival of Literature in Ramallah last month.

 

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