Crazyhorse, a literary journal published by the College of Charleston, announced on Monday that the deadline for its poetry and fiction prizes has been extended. Explaining that they needed a little more time to get their new Web site—complete with electronic submission system—up and running, the journal says that it will now accept entries for the Lynda Hull Memorial Poetry Prize and the Crazyhorse Fiction Prize until January 15.
Writers may submit up to three poems or a story of no more than twenty-five pages via the online entry system or regular mail. A sixteen-dollar entry fee includes a one-year subscription to the magazine. Guidelines are detailed on the CrazyhorseWeb site.
The 2009 prize winners are Kary Wayson, a Seattle poet, for "Lives of the Artists," and Elizabeth Oness of Houston, Minnesota, for her story "Protect and Serve." James Tate was the poetry judge, and Ann Patchett selected the winning story. The names of the 2010 judges will be revealed when the winners are announced in the spring. Writers such as Billy Collins, Dean Young, Mary Ruefle, Charles Baxter, and Dan Chaon have served as judges during the awards' nine-year history.
The National Endowment for the Arts (NEA) has announced the recipients of its annual fellowships in creative writing, given this year to prose writers. Forty-two writers, representing seventeen states and Washington, D.C., each received a twenty-five thousand dollar grant.
The fellows in fiction are:
Salar Abdoh, Lina Meruane, Matthew Sharpe, and Teddy Wayne, all of New York City
Jasmine Beach-Ferrara of Boston
Sean Brendan-Brown of Olympia, Washington
Serena Crawford and Ismet Prcic, both of Portland, Oregon
Michael Czyzniejewski of Bowling Green, Ohio Barry Gifford and Michael David Lukas, both of Berkeley, California Frances Hwang of South Bend, Indiana
Ben Jahn of Albany, California Adam Johnson and Suzanne Rivecca, both of San Francisco
Sheri Joseph of Atlanta
Roy Kesey of Ukiah, California Dylan Landis of Washington, D.C. Margaret McMullan of Evansville, Illinois
Alison Moore of Driftwood, Texas
ZZ Packer of Austin, Texas
Rae Paris of Tempe, Arizona
Aimee Phan of Oakland; Lewis Robinson of Portland, Maine
Robert Rosenberg of Lewisburg, Pennsylvania Anne Sanow of Provincetown, Massachusetts
Gregory Blake Smith of Northfield, Minnesota
Leah Stewart of Cincinnati
Melanie Sumner of Rome, Georgia
Padma Viswanathan of Fayetteville, Arizona
Matthew Vollmer of Blacksburg, Virginia
Vinnie Wilhelm of Guilford, Connecticut
Simone Zelitch of Philadelphia
The fellows in creative nonfiction are:
Matthew Batt of Saint Paul Douglas Bauer of Boston Donovan Hohn of New York City
Daniel Raeburn of Chicago
Paul Reyes of Little Rock, Arkansas
Rebecca Solnit of San Francisco
Christina Thompson of Lincoln, Massachusetts
Joan Wickersham of Cambridge, Massachusetts
Frank B. Wilderson III of Irvine, California
The NEA received nearly one thousand eligible applications, 24 percent of which were in creative nonfiction and 76 percent in fiction. The ratio of awards given in each genre closely reflects the makeup of the application pool, with 21 percent of fellowships granted to creative nonfiction writers, and 79 percent to fiction writers.
This year's judging panel, which reviewed an estimated twenty-five thousand manuscript pages, included Michael Chabon, Bobbie Ann Mason, Kelly Link, William Henry Lewis, and Francisco Goldman.
The NEA's creative writing fellowships are given in alternating years to prose writers and poets. The next deadline, for poets, is March 4, 2010.
In the video below, creative nonfiction fellow Joan Wickersham reads from her 2008 book The Suicide Index (Houghton Mifflin Harcourt), a finalist for the National Book Award.
Underwater New York, an online literary and arts anthology fascinated with the hidden treasures of New York City’s waterways, has teamed with Manhattan’s American Folk Art Museum to offer its first story prize. Stories submitted for the contest must be on the theme of a New York City shipwreck—real or imagined, though actual remnants of about one hundred seventy broken vessels inhabit the waters off the city’s coast, according to the Underwater New York Web site, which hosts a gallery of wreck paintings and photos for inspiration.
The winning work will be published in Underwater New York and the writer will be invited to present his or her story at the American Folk Art Museum on March 5, 2010, accompanied by shipwreck-themed readings and music and the exhibit Thomas Chambers (1808–1869): American Maritime and Landscape Painter. There is no cash award, but there isn’t an entry fee, either. The deadline is February 12, and full submission information is available on thepublication's contest page.
If you’re in the know about other free, place-based literary contests such as this one, drop us a comment, or e-mail us at firstname.lastname@example.org.
In the video below, Underwater New York celebrates the launch of its Web site.
Earlier this week the Jentel Foundation, sponsor of the Jentel Artist Residency Program, and the Pushcart Prize announced that they have teamed up to grant three residencies to winners of the annual award, which honors poems, stories, essays, and "literary whatnot" nominated by magazines and small presses. This year's recipients of monthlong residencies in the Bighorn Mountains of Sheridan, Wyoming, are Heidi Hart of Salt Lake City and New Yorkers Beena Kamlani and Tom Sleigh.
The residents were chosen from a pool of entries sent in by thirty Pushcart winners who were invited to apply by Pushcart Press editor Bill Henderson. Jim Charleton, a member of the Pushcart board and the application panel of Jentel’s residency program, selected the winners.
The nomination period has closed for the 2009 Pushcart Prizes. The next deadline for presses and magazines to submit outstanding works—all published in 2010—is December 1 of next year.
Jentel is currently accepting applications for its May through December residencies until January 15. U.S. writers who are at least twenty-five years old are eligible for monthlong stays, which include a private room and work space. Each resident also receives a four-hundred-dollar stipend.
Last night United States Artists (USA) announced seven writers as 2009 winners of the organization's fifty-thousand-dollar fellowship award, given annually to a total of fifty artists nationwide. The fellows are poets Ai, Brian Turner, and Kevin Young; fiction writers Antonya Nelson, Sapphire—also known for her poetry—and Justin Torres; and graphic novelist Gilbert Hernandez. Playwright Nelo Cruz also received an award.
The recipients were selected from a pool of writers nominated by fellow artists, critics, scholars, and other
literary professionals. Nominated writers then submitted applications, and a peer panel chose the winners. This year's panel in literature was comprised of Jeff Chang, Anne García-Romero, Major Jackson, Alan Michael Parker, and Robert Polito.
Garcia-Romero made reference to Federico García Lorca's theory of duende—the power of the unknown that drives the creation of new things—in a write-up about the nominees and recipients of this year's award. "These writers provide us with a stirring collection of texts that
reflect the complexity of twenty-first century life in this country," she says. "Infused with duende, these 'newly created things' will also have the potential to change the shape of the way we live."
According to USA, the organization has granted artists ten million dollars since the awards' creation in 2006. A poll of the inaugural winners showed that the majority of the funds were used to develop new projects, finish a project, purchase supplies, or facilitate work-related travel. Fellows also used their grants to volunteer for an arts-related cause or present their work to the public.
In the video below, fellow Brian Turner recites the title poem for his multiple-award-winning debut collection, Here, Bullet (Alice James Books, 2005).
The M Restaurant Group, China-based sponsor of the Shanghai International Literary Festival, is offering two three-month residencies in China and India to writers of any nationality working in English. One residency, in the bustling city of Shanghai, will take place before March 2011, and the India residency—located, by contrast, in a somewhat isolated area near the southern town of Pondicherry—will occur between November 2010 and February 2011. Both residents will receive one thousand dollars each in addition to airfare, lodging, and meals (or, in the case of the Shanghai resident, a stipend to cover meals). Poets, fiction writers, and creative nonfiction writers are all eligible.
The residents are encouraged to interact with their respective host communities by participating in at least two events—a workshop in a local school or a literary talk at a bookshop, for instance. The M group will assist writers in organizing their programming.
Details of how to apply are available on the literary festival Web site, but, in short, applicants should submit a project proposal, a personal statement, contact information for two references, and two writing samples totaling no more than five thousand words. An application and proof of residency are also required. All of the materials must be e-mailed to the M group contact, Cordelia Witton, by January 15. Residency recipients will be announced on March 5.
The Colorado Prize given by the Colorado Review, a fifteen-hundred-dollar award for a poetry collection that includes publication by the Center for Literary Publishing at Colorado State University, will be judged in 2010 by the journal's poetry editor Donald Revell. The poet, who has published thirteen collections as well as translations from the French of Arthur Rimbaud and Guillaume Apollinaire, is himself the recipient of a book publication award. Early in Revell's career, From the Abandoned Cities (Harper & Row, 1983) was selected by C. K. Williams for the 1982 National Poetry Series.
Revell's other collections include Gaza of Winter (University of Georgia Press, 1988), Erasures (Wesleyan University Press, 1992), My Mojave (Alice James Books, 2003), Thief of Stings (Alice James Books, 2007), and most recently, Bitter Withy (Alice James Books, 2009). He has also published a book of prose on the life of writing, The Art of Attention: A Poet's Eye (Graywolf Press, 2007).
To enter the Colorado Prize competition, poets may submit manuscripts of 48 to 100 pages by January 14. An entry fee of twenty-five dollars includes a subscription to Colorado Review.
The past Colorado Prize winners and judges are:
Endi Bogue Hartigan for One Sun Storm
selected by Martha Ronk
Craig Morgan Teicher for Brenda Is in the Room and Other Poems
selected by Paul Hoover
Jaswinder Bolina for Carrier Wave
selected by Lyn Hejinian
Karen Garthe for Frayed escort
selected by Calvin Bedient