The finalists for the prize, which was open to published and unpublished Asian American poets living in the United States, are Serena Chopra, April Naoko Heck, Kirun Kapur, Caroline Kim-Brown, Michelle Young-Mee Rhee, Ira Sukrungruang, R. A. Villanueva, Shawn Wen, and Lynn Xu.
Two women poets whose works "open the lock of language" and act as "X-rays of our delusions and mistaken perceptions" were honored last night as winners of the Griffin Poetry Prize. Eiléan Ní Chuilleanáin of Ireland won the international prize for her collection The Sun-fish and Toronto poet Karen Solie took the Canadian prize for Pigeon (House of Anansi Press).
They each received sixty-five thousand dollars in addition to ten thousand dollars awarded for giving a reading the night prior to the ceremony, during which Adrienne Rich was celebrated with a Lifetime Recognition Award.
Their books were selected by judges Anne Carson, Kathleen Jamie, and Carl Phillips from a shortlist that included John Glenday (Grain), Louise Glück (A Village Life), Kate Hall (The Certainty Dream), the late P. K. Page (Coal and Roses), and Susan Wicks (translation of Valérie Rouzeau's Cold Spring in Winter). Each shortlisted writer received a prize of ten thousand dollars.
"Among the greatest of Solie’s talents, evident throughout the poems of Pigeon," the judges remarked in their citation for the poet, "is an ability to see at once into and through our daily struggle, often
thwarted by our very selves, toward something like an honorable life."
"We are in a shifting realm, both real and otherworldly," the judges said of Chuilleanáin's book. "The effect of her impressionistic style is like watching a photograph as it develops."
In the video below, Chuilleanáin reads a poem from The Sun-fish, "The Witch in the Wardrobe," which the judges noted for its "startling imagery" of "a ‘fluent pantry’, where ‘the silk scarves came flying at her face like a car wash.'"
Shakespeare and Company, the famously bohemian Paris bookstore established ninety-one years ago, recently announced its founding of a novella competition open exclusively to unpublished writers. Entries have not yet opened for the biennial award, which includes a prize of ten thousand euros (approximately twelve thousand dollars), but writers can stay tuned to this blog or the bookstore's Web site for the latest.
Guidelines will be posted on Shakespeare and Company's Web site on June 20, the final day of the annual literary festival based at the store, which has since 1951 made its home on Paris's Left Bank. What we already know about the rules: Manuscripts should be twenty-thousand to thirty-thousand words, there will be a fee to enter, and the deadline for the initial submission period will be December 1.
The contest announcement comes on the heels of the bookstore's launch of Paris Magazine, a new embodiment of the sporadically published journal created by the bookstore's owner, George Whitman. The nonagenarian American literary advocate performed his own act of reincarnation when he opened the current Shakespeare and Company ten years after Sylvia Beach's original store was shuttered during World War II. The first issue of the new magazine, edited by Fatema Ahmed, formerly of Granta, features works by international talent including stories by French-Senegalese author Marie NDiaye and emerging American fiction writer Jesse Ball, and a translation of Apollinaire by Whitman's friend Lawrence Ferlinghetti.
The award is given in honor of Linda Flowers, a member of the council who authored the nonfiction book Throwed Away: Failures of Progress in Eastern North Carolina (University of Tennessee Press, 1993), which draws on her personal experiences with economic travesties occurring in rural regions of her home state. "We want
to celebrate excellence in the humanities achieved by people like
her," the council says on its Web site, emphasizing that it will be seeking out writers "who not only identify with our
state, but who explore
the promises, the problems, the experiences, the meanings in
lives that have been shaped by North Carolina and its many cultures."
The deadline for submissions is August 15. For more information about the award, writers can visit the Web site or e-mail the council.
Among other organizations offering state grants this summer is Literary Arts, based in Portland, Oregon, which supports the state's writers with fellowships of $2,500 (women writers whose work touches on themes of race, class, physical disability, or sexual orientation are also eligible for a special award). The deadline for submissions is June 25.
In the video below, North Carolina poet laureate Cathy Smith Bowers reads a poem from her most recent book, The Candle I Hold Up to See You (Iris Press, 2009), touching on the private, metaphorical language taught her by her mother.
In preparation for a season of tribute to late Beatles front man John Lennon, who was born seventy years ago and died thirty years ago this fall, the Beatles Story museum in Liverpool, England, is hosting a poetry competition. Along with a performance poetry contest, the museum is inviting entries for an international "paper poet" competition of works touching on the life of Lennon.
While there's no cash prize, poems by the winner and finalists will be considered for publication in an anthology. The honorees will also be invited (though expenses aren't covered) to an awards ceremony in Liverpool on November 6, held in conjunction with the poetry slam.
U.K. poet laureate Carol Ann Duffy will judge the competition. "From his earliest lyrics, John Lennon displayed a poet's sensitivity to language," Duffy said of the musician who named among his influences James Joyce, Lewis Carroll, and Oscar Wilde and authored a whimsical book of verse and prose,In His Own Write. "I'm delighted to judge this competition, which honors a famous son of a wonderful city...vibrant with language and poetry."
Poems of up to forty lines can be submitted via e-mail, with entries closing on September 10. There is no entry fee, but writers may submit only once. More information about the contest is available on the Beatles Story Web site.
In the video below, the Beatles perform "I Am the Walrus," with lyrics by Lennon, who was purportedly inspired by Carroll's poem "The Walrus and the Carpenter" and perhaps even Joyce's Finnegan's Wake when writing the song.
Fiction will mingle with film at the newly launched Oaxaca International Independent Film and Video Festival, which is offering writers a place in the competitive forum enjoyed by participating filmmakers. Writers can submit stories this summer, and the festival committee will select two winners—one writing in English, one in Spanish—to present their works at the festival, held from November 8 to 11 in the Mexican city of Oaxaca de Juárez (travel expenses are part of the award).
Each winner will receive a prize of fifteen hundred dollars, and the winning works also will be published in a commemorative book along with the stories of eight runners up—four in English, four in Spanish. An announcement of the honorees will be made on September 16.
The festival is limiting submissions to one thousand entries, and will accept stories via e-mail until July 31. An entry fee of ten dollars is required for stories submitted by June 10, and fifteen dollars thereafter. Complete guidelines and more information about the main event are available on the festival Web site.
On Friday, One Story journal founders Maribeth Batcha and Hannah Tinti playfully introduced into literary society nine writers whose first stories were published in the journal's pages. "Debutantes" Sam Allingham, Ramona Ausubel, Nell Casey, Amelia Kahaney, Cheston Knapp, Grant Munroe, Patrick Somerville, Cote Smith, and Arlaina Tibensky were escorted by some of literary fiction's biggest names before a crowd of readers, agents, editors, and fellow writers attending the journal's first Literary Debutante Ball. Jonathan Lethem, Michael Cunningham, Deb Olin Unferth, and Tinti herself were among the escorts, each of whom had played a mentoring role in the emerging writers' lives.
Dan Chaon escorted Philadelphia writer Sam Allingham, whose fiction has appeared in One Story and An Other Magazine.
Michelle Latiolais and Ron Carlson escorted Ramona Ausubel, a graduate of the MFA program at the University of California in Irvine whose stories have appeared in journals including Slice, pax americana, and Green Mountains Review. The day before the event, she sold her story collection and her novel to Riverhead Books.
Tamara Jenkins escorted Nell Casey, the editor of Unholy Ghost: Writers on Depression and An Uncertain Inheritance: Writers on Caring for Family, who is currently working on The Journals of Spalding Gray (forthcoming from Knopf in 2011).
Michael Cunningham escorted Amelia Kahaney, a writing teacher at Brooklyn College who also does some ghostwriting, and whose One Story story, "Fire Season," has been optioned for film.
Jim Shepard and Karen Shepard escorted Portland, Oregon, writer Cheston Knapp, who is also the managing editor of Tin House and director of the journal's Summer Writers Workshop.
Hannah Tinti escorted Chicago author Patrick Somerville, author of the short story collection Trouble (Vintage, 2006) and the novel The Cradle (Little, Brown, 2009).
Deb Olin Unferth escorted Kansas writer Cote Smith, a recent graduate of University of Kansas's MFA program.
Victor LaValle escorted Arlaina Tibensky, the founder of the Pen Parentis literary salon in Manhattan whose young adult novel about a girl obsessed with Sylvia Plath is forthcoming in 2011 from Simon & Schuster's Pulse imprint.
In the video below, the debutantes make their way into the arena, a space in the Old American Can Factory in Brooklyn (home of the One Story offices), as comedian and writer John Hodgman makes introductions.