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G&A: The Contest Blog

The Charles Taylor Prize for Literary Nonfiction, named for the late Canadian nonfiction writer, was awarded last night to Ian Brown for his memoir The Boy in the Moon: A Father's Search for His Disabled Son (Random House Canada). Brown, an award-winning journalist who contributes to the Canadian newspaper the Globe and Mail, received forty thousand dollars to honor his book about life with his son, who suffers from Cardiofaciocutaneous syndrome, an extremely rare condition.

Three finalists, all authors of biographies, each received a prize of two thousand dollars. They are John English for Just Watch Me: The Life of Pierre Elliott Trudeau, 1968–2000 (Knopf Canada); Daniel Poliquin for René Lévesque (Penguin Canada); and Kenneth Whyte for The Uncrowned King: The Sensational Rise of William Randolph Hearst (Random House Canada). The judges were nonfiction writer Andrew Cohen, 2009 Charles Taylor Prize winner Tim Cook, and translator Sheila Fischman.

The annual prize is given to promote works of literary nonfiction by Canadian writers with a distinct style and command of language. According to the prize Web site, "Charles Taylor believed that a well-read and well-informed public contributes to a thriving democracy" and "that excellence in style is the basis for communication in thought." The next deadline for publishers to submit books is April 15.

In the video below, Brown talks about his winning book. 

The Lexi Rudnitsky Poetry Project, a memorial foundation honoring the late poet Lexi Rudnitsky, is once again teaming with New York City indie press Persea Books to hold a poetry book prize. Like the five-year-old prize for a first book, the new Lexi Rudnitsky/Editor's Choice Award offers publication of a poetry collection and one thousand dollars, but this prize will be given to a U.S. poet who has published at least one full-length book of poetry in an edition of over five hundred copies.

The winning poet will also receive a two- to four-week residency at the Anderson Center artist retreat in Red Wing, Minnesota. The length of the stay is up to the winner, but "the center loves it when residents come for the full month," says Persea's poetry editor and contest judge Gabriel Fried.

When asked what he is looking for in a submission, Fried said, "I really don't have a pre-articulated sense of what sort of poetry will win, except that it should be unforgettable, striking in the ways it accomplishes what it sets out to do….I honestly don't feel predisposed toward a particular poetics, just toward the realization of poetic ambition."

Fried will select the winner with the help of an advisory committee from the Poetry Project, and the announcement will be made in April.

Finishing Line Press has extended the deadline of its New Women's Voices Chapbook Competition. Women poets who have not published a book-length collection now have until February 28 to submit manuscripts of up to twenty-six pages.

The winner will receive one thousand dollars and publication of her chapbook. Contest judge Leah Maines, the press's senior editor and author of the first book in the New Women's Voices series, Looking to the East With Western Eyes, will also select ten finalists for publication. 

Last year's winner was University of Wisconsin literature professor Cherene Sherrard for Mistress, Reclining, forthcoming in April. A list of all past winners' and finalists' books released as part of the New Women's Voices series—seventy-six chapbooks in all—is posted on the Finishing Line Press Web site

 

Twenty-two books published four decades ago have made the longlist for the Lost Man Booker Prize. The third celebratory prize in the history of the Bookers—following the twenty-fifth anniversary Booker of Bookers and the fortieth anniversary Best of the Booker—will recognize a novel by a U.K. writer published in 1970, the year before the award guidelines changed their scope and made many just-released titles ineligible for prize consideration.

From the longlist, poet Tobias Hill, broadcaster Katie Derham, and journalist Rachel Cooke—all born in or around 1970—will select a shortlist of six titles, which will be announced in March. A public vote will then determine the winning book.

The semifinalists and their novels, available most recently from the publishers noted below, are:
The Hand Reared Boy (Souvenir Press) by Brian Aldiss
A Little Of What You Fancy? (Penguin) by H. E. Bates
The Birds on The Trees (Virago Press) by Nina Bawden
A Place in England (Sceptre) by Lord Melvyn Bragg
Down All The Days (Vintage) by Christy Brown
Bomber (HarperCollins) by Len Deighton
Troubles (Phoenix) by J. G. Farrell
The Circle (Faber Finds) by Elaine Feinstein
The Bay of Noon (Virago Press) by Shirley Hazzard
A Clubbable Woman (HarperCollins) by Reginald Hill
I'm the King of the Castle (Penguin) by Susan Hill
A Domestic Animal (Faber Finds) by Francis King
The Fire Dwellers (Virago Press) by Margaret Laurence
Out of the Shelter (Penguin) by David Lodge
A Fairly Honourable Defeat (Vintage) by Iris Murdoch
Fireflies (Penguin) by Shiva Naipaul
Master and Commander (HarperCollins) by Patrick O'Brian
Head to Toe (Methuen Publishing) by Joe Orton
Fire From Heaven (Arrow Books) by Mary Renault
A Guilty Thing Surprised (Arrow Books) by Ruth Rendell
The Driver's Seat (Penguin Classics) by Muriel Spark
The Vivisector (Vintage) by Patrick White

Potomac Review, the literary magazine of Montgomery College in Rockville, Maryland, will accept submissions to its biennial poetry contest until Monday, February 1. Submissions of up to three poems totaling no more than five pages can be made this weekend online, though the entry fee of twenty dollars must be sent via mail.

The winning poet, announced on February 15, will receive one thousand dollars and publication of her winning work in Potomac Review. All entries will be considered for publication in the print magazine and on the journal's Web site.

So, where does that entry fee go? Why does the journal run contests at all (the poetry prize rotates annually with one in fiction)? Information about the inner workings of Potomac Review is available on the journal's blog, where a member of the editorial staff makes a case for holding contests. Here are a few key bits from that post:

"Contests are a way for us to prove to our funding source that we can make money. We use them to give back the money they provide for printing, mailing, and staff support." 

"I personally like the anonymous nature of contests. Anybody, published or unpublished, can win. My associate editors like the absence of cover letters. Several have told me it frees them to read with an open mind."

"So I realize that everybody is offering a contest, but I think poets and writers should give it a shot. Take a chance and support your favorite magazines. If you were ever going to subscribe to us, why not submit a few poems and roll the dice."

The Queen Sofía Spanish Institute in New York City has awarded Edith Grossman—translator of works by Miguel de Cervantes, Gabriel García Márques, and Mario Vargas Llosa, among other Latin American and Spanish authors—its first ever translation prize. Grossman will receive the inaugural ten-thousand-dollar prize in honor of A Manuscript of Ashes (Houghton-Mifflin Harcourt, 2008), her translation of Antonio Muñoz Molina's 1986 novel Beatus Ille.

The 2010 award set out to recognize an English-language fiction translation published between 2006 and 2008 by a U.S. publisher and written in Castilian by a Spanish author. The next prize is expected to be awarded in 2012, and then again in 2015.

Prior to presentation of the prize on February 2, the Queen Sofía Spanish Institute will host a conversation between Grossman and Muñoz Molina at 6 PM. Information is available on the organization's Web site.

In the video below, Grossman discusses the importance of the translator at an event sponsored by Words Without Borders. Several other videos from this presentation are also posted on YouTube.

For the third year, Amazon has launched its competition for the next popular novel. The winning author, selected by Amazon users, will have her book published by Penguin and receive an advance of fifteen thousand dollars.

The contest, which this year also includes a second category for young adult fiction, will close on February 7, or once five thousand entries have been received, whichever comes first.

Manuscripts will be screened by editors from Amazon and Penguin as well as reviewers from Publishers Weekly and Amazon, according to the prize Web site. A shortlist of three novels will be issued by author Tana French, Viking Books editorial director and executive editor Molly Stern, and agent Julie Barer, and in late May Amazon users will vote to select the winner, announced on June 14.

Last year's winner was James King for Bill Warrington's Last Chance, and the inaugural winner was Bill Loehfelm for Fresh Kills. Four of last year's finalists will also receive publication—a recent development for the competition. Amazon announced today that its imprint AmazonEncore will release Andrew Fukuda's Crossing, Francine Thomas Howard's Page From a Tennessee Journal, Steffan Piper's Greyhound, and Paul Reid's A Cruel Harvest. The titles will be available in the spring.

In the video below, Amazon reviewer Megan Bostic presents her take on King's winning book.

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